28 Artists & 2 Saints by Joan Acocella

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Synopsis

Here is a dazzling collection from Joan Acocella, one of our most admired cultural critics: thirty-one essays that consider the life and work of some of the most influential artists of our time (and two saints: Joan of Arc and Mary Magdalene). Acocella writes about Primo Levi, Holocaust survivor and chemist, who wrote the classic memoir, Survival in Auschwitz; M.F.K. Fisher who, numb with grief over her husband’s suicide, dictated the witty and classic How to Cook a Wolf; and many other subjects, including Dorothy Parker, Mikhail Baryshnikov, and Saul Bellow. Twenty-Eight Artists and Two Saints is indispensable reading on the making of art—and the courage, perseverance, and, sometimes, dumb luck that it requires.


From the Trade Paperback edition.
 

About Joan Acocella

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Joan Acocella is a staff writer for The New Yorker, where she covers dance and books. She has also written for The New York Review of Books and The Wall Street Journal. She is the author of the critical biography Mark Morris; Creating Hysteria: Women and Multiple Personality Disorder; and Willa Cather and the Politics of Criticism. She edited the unexpurgated Diary of Vaslav Nijinsky and, with Lynn Garafola, André Levinson on Dance. Acocella was a recipient of a Guggenheim Fellowship. She lives in New York.
 
Published February 12, 2008 by Vintage. 560 pages
Genres: Biographies & Memoirs, Self Help, Literature & Fiction, Health, Fitness & Dieting, Humor & Entertainment, Arts & Photography. Non-fiction

Unrated Critic Reviews for 28 Artists & 2 Saints

The New Yorker

Many of the roles that Balanchine created for her, or that she is remembered for—the Coquette in “La Sonnambula,” the Fairy in “Le Baiser de la Fée,” Sanguinic in “The Four Temperaments,” the virtuoso ballerina of the first movement of “Symphony in C,” the Firebird in the ballet of that name, the...

Apr 16 2013 | Read Full Review of 28 Artists & 2 Saints

The New Yorker

The rise and fall of arsenic as a tool for angry wives, greedy heirs, and other determined murderers.

Oct 14 2013 | Read Full Review of 28 Artists & 2 Saints

The New Yorker

A new movie, at Film Forum, looks at the risk of injuries in dance.

Sep 15 2014 | Read Full Review of 28 Artists & 2 Saints

The New Yorker

For years after O’Brien wrote this, in a 1984 article, and then repeated it in her 1987 biography, “Willa Cather: The Emerging Voice,” a large number of Cather scholars, especially the younger ones, accepted that O’Brien had provided the proof of Cather’s homosexuality.

Apr 09 2013 | Read Full Review of 28 Artists & 2 Saints

The New Yorker

Marie was lying on her side under the white mulberry tree, her face half hidden in the grass, her eyes closed.… Emil threw himself down beside her and took her in his arms.

Dec 30 2013 | Read Full Review of 28 Artists & 2 Saints

The New Yorker

Joan Acocella on the history of hoarding, from Grey Gardens to the DSM-V.

Dec 15 2014 | Read Full Review of 28 Artists & 2 Saints

The New Yorker

It’s the rare poet who can slip nimbly from Lacanian fable to slang and cheerfully explain away infidelity as a case of mistaken identity: “Neither for revenge / nor for lack of love, but because love deep as this sees the beloved / wherever it looks.” ♦.

Dec 17 2007 | Read Full Review of 28 Artists & 2 Saints

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