A Dead Man in Deptford by Anthony Burgess

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With A Dead Man in Deptford, Burgess concluded his literary career to overwhelming acclaim for his re-creation of the Elizabethan poet Christopher Marlowe. In lavish, pitch-perfect, and supple, readable prose, Burgess matches his splendid Shakespeare novel, Nothing Like the Sun. The whole world of Elizabethan England—from the intrigues of the courtroom, through the violent streets of London, to the glory of the theater—comes alive in this joyous celebration of the life of Christopher Marlowe, murdered in suspicious circumstances in a tavern brawl in Deptford more than four hundred years ago.

About Anthony Burgess

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Anthony Burgess was born in 1917 in Manchester, England. He studied language at Xaverian College and Manchester University. He had originally applied for a degree in music, but was unable to pass the entrance exams. Burgess considered himself a composer first, one who later turned to literature. Burgess' first novel, A Vision of Battlements (1964), was based on his experiences serving in the British Army. He is perhaps best known for his novel A Clockwork Orange, which was later made into a movie by Stanley Kubrick. In addition to publishing several works of fiction, Burgess also published literary criticism and a linguistics primer. Some of his other titles include The Pianoplayers, This Man and Music, Enderby, The Kingdom of the Wicked, and Little Wilson and Big God. Burgess was living in Monaco when he died in 1993.
Published February 23, 2009 by Da Capo Press. 272 pages
Genres: History, Literature & Fiction, Mystery, Thriller & Suspense, Crime. Fiction

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Kirkus Reviews

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In a daring romp through history, theology, sex, language, and espionage, the late Burgess (A Mouthful of Air, 1993, etc.) contrives a disarmingly realistic literary thriller with an unlikely sybarite as its hero.

May 20 2010 | Read Full Review of A Dead Man in Deptford

Publishers Weekly

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Burgess's last book, published in England two years ago, shortly before the author's death, is a masterly piece of work. It is an extraordinary reflection on the state of American publishing that the

May 01 1995 | Read Full Review of A Dead Man in Deptford

Publishers Weekly

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Himself a skeptic, and an active homosexual (frolicking with the young heir of the powerful Earl of Walsingham), Marlowe manages for several risky years to keep his head above the sectarian waters, working when he can at his plays, ever after ``the mighty line.'' Then some of his fellow conspirat...

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