Between the opulent Edwardian years and the 1920s the First World War opens like a gap in time. England after the war was a different place; the arts were different; history was different; sex, society, class were all different.
Samuel Hynes examines the process of that transformation. He explores a vast cultural mosaic comprising novels and poetry, music and theatre, journalism, paintings, films, parliamentary debates, public monuments, sartorial fashions, personal diaries and letters.
Told in rich detail, this penetrating account shatters much of the received wisdom about the First World War. It shows how English culture adapted itself to the needs of killing, how our stereotypes of the war gradually took shape and how the nations thought and imagination were profoundly and irretrievably changed.
About Samuel HynesSee more books from this Author
Continuing the ground-breaking work of Paul Fussell in The Great War and Modern Memory, Hynes (Flights of Passage, 1988, etc.; Literature/Princeton) looks into the origin and impact of the myth that came into being to explain the significance of WW I. That myth depicted an idyllic England shatt...May 20 2010 | Read Full Review of A War Imagined: The First Wor...
According to Hynes ( The Auden Generation ), WW I engendered a sense of idealism betrayed, turned high-mindedness into cynicism and gave rise to resentment of politicians as the conviction emerged thaJun 03 1991 | Read Full Review of A War Imagined: The First Wor...