Aesthetic Modernism and Masculinity in Fascist Italy by John Champagne
(Popular Culture and World Politics)

No critic rating

Waiting for minimum critic reviews

See 1 Critic Review



Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing.

Champagne seeks to evaluate how the aesthetic analysis of the artefacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something – like masculinity – is rendered as being an element of world politics, and how such an understanding differs from more orthodox ‘cultural’ analyses common to international relations.

Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history.


About John Champagne

See more books from this Author
John Champagne is an Associate Professor of English at Penn State Erie, the Behrend College, and a Visiting Professor of Communications at John Cabot University, Rome. He writes on gender and sexuality in modern culture; a critic and novelist, he is the author of three previous books.
Published October 12, 2012 by Routledge. 233 pages
Genres: Education & Reference, Arts & Photography, Political & Social Sciences. Non-fiction

Unrated Critic Reviews for Aesthetic Modernism and Masculinity in Fascist Italy

The Washington Times

See more reviews from this publication

Why was that ghastly trio of 20th-century European dictators so obsessed with art? Of course, they were megalomaniacal about their legacy. We know, in fact, it turned out to be all manner of odium and mayhem, but their grandiosity knew no bounds.

Nov 25 2012 | Read Full Review of Aesthetic Modernism and Mascu...

Rate this book!

Add Review