Codrescu's activities as a public radio commentator (for NPR), editor (Exquisite Corpse), novelist (The Blood Countess), movie star (Road Scholar) are well documented. His poetry is undeservedly less well known.
This chronological selection, edited by the poet himself, liberally culls from a body of work that includes more than a dozen hard-to-find small press poetry volumes. It's fronted by a useful autobiographical reflection, in which Codrescu sets the stage for his poems: walking us through his years of revolution and passion in New York in the Sixties, evoking benign and exalted emanations of a liberated pleasure-dome San Francisco in the Seventies, charting darkening and deepening notes picked up later among North Coast redwood forests, and tracing the "sober rage" of more recent years of argument and reportage. The distance between the two figures of engagement, embattled critic and involved poet, Codrescu reminds us, has for him always been considerable: "My own work has had its own lyric momentum and mysterious drive that has little to do with the quarrels in question". Andrei Codrescu has always been poet first of all.
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""Language did not seem all that important,"" writes the Romanian-born Andrei Codrescu in the introduction to his Alien Candor: Selected Poems 1970-1995.| Read Full Review of Alien Candor: Selected Poems,...