Balanchine & the Lost Muse by Elizabeth Kendall
Revolution & the Making of a Choreographer

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...the evocative details she deals in are often fragmentary, conflicting or remembered by people like Kostrovitskaya decades after they occurred.
-NY Times

Synopsis

Here is the first dual biography of the early lives of two key figures in Russian ballet: famed choreographer George Balanchine and his close childhood friend and extraordinary ballerina Liidia (Lidochka) Ivanova.

Tracing the lives and friendship of these two dancers from years just before the 1917 Russian Revolution to Balanchine's escape from Russia in 1924, Elizabeth Kendall's Balanchine & the Lost Muse sheds new light on a crucial flash point in the history of ballet. Drawing upon extensive archival research, Kendall weaves a fascinating tale about this decisive period in the life of the man who would become the most influential choreographer in modern ballet. Abandoned by his mother at the St. Petersburg Imperial Ballet Academy in 1913 at the age of nine, Balanchine spent his formative years studying dance in Russia's tumultuous capital city. It was there, as he struggled to support himself while studying and performing, that Balanchine met Ivanova. A talented and bold dancer who grew close to the Bolshevik elite in her adolescent years, Ivanova was a source of great inspiration to Balanchine--both during their youth together, and later in his life, after her mysterious death just days before they had planned to leave Russia together in 1924. Kendall shows that although Balanchine would have a great number of muses, many of them lovers, the dark beauty of his dear friend Lidochka would inspire much of his work for years to come.

Part biography and part cultural history, Balanchine & the Lost Muse presents a sweeping account of the heyday of modern ballet and the culture behind the unmoored ideals, futuristic visions, and human decadence that characterized the Russian Revolution.
 

About Elizabeth Kendall

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Elizabeth Kendall is author of Autobiography of a Wardrobe (Pantheon 2008); American Daughter (Random House 2000); The Runaway Bride: Hollywood Romantic Comedy of the 1930s (Knopf 1990); and Where She Danced (Knopf 1979). She is a tenured associate professor of Literary Studies at The New School. She has written for The New Yorker, Vogue, Ballet News, Dance Magazine, The New York Times, Elle, The New Republic and other journals.
 
Published June 7, 2013 by Oxford University Press. 303 pages
Genres: Biographies & Memoirs, Humor & Entertainment, Arts & Photography, History. Non-fiction
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Critic reviews for Balanchine & the Lost Muse
All: 3 | Positive: 1 | Negative: 2

NY Times

Above average
Reviewed by Claudia La Rocco on Jul 29 2013

...the evocative details she deals in are often fragmentary, conflicting or remembered by people like Kostrovitskaya decades after they occurred.

Read Full Review of Balanchine & the Lost Muse: R... | See more reviews from NY Times

WSJ online

Above average
Reviewed by Mindy Aloff on Aug 14 2013

Ms. Kendall's book could be enjoyed simply for its literary charm, had she not promised us at the beginning that Ivanova's fate was "played out in such tragic ballets as 'Serenade' and 'La Valse'"...By the end of her book...we find: "Is she Lidochka? Who can know?"

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Kirkus

Excellent
on Apr 23 2013

Kendall’s great success is her illustration of the profound love and devotion of these dancers for their art.

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