Beethoven by Lewis Lockwood
The Music and the Life

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An authoritative work offering a fresh look at Beethoven’s life, career, and milieu. “Magisterial” —New York Review of Books.

This brilliant portrayal weaves Beethoven's musical and biographical stories into their historical and artistic contexts. Lewis Lockwood sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and examines their effects on his music. "The result is that rarest of achievements, a profoundly humane work of scholarship that will—or at least should—appeal to specialists and generalists in equal measure" (Terry Teachout, Commentary). Finalist for the Pulitzer Prize.  "Lewis Lockwood has written a biography of Beethoven in which the hours that Beethoven spent writing music—that is, his methods of working, his interest in contemporary and past composers, the development of his musical intentions and ideals, his inner musical life, in short—have been properly integrated with the external events of his career. The book is invaluable." —Charles Rosen "Lockwood writes with poetry and clarity—a rare combination. I especially enjoyed the connection that he makes between the works of Beethoven and the social and political context of their creation—we feel closer to Beethoven the man without losing our wonder at his genius." —Emanuel Ax "The magnum opus of an illustrious Beethoven scholar. From now on, we will all turn to Lockwood's Beethoven: The Music and the Life for insight and instruction." —Maynard Solomon "This is truly the Beethoven biography for the intelligent reader. Lewis Lockwood speaks in his preface of writing on Beethoven's works at 'a highly accessible descriptive level.' But he goes beyond that. His discussion of the music, based on a deep knowledge of its context and the composition processes behind it, explains, elucidates, and is not afraid to evaluate; while the biographical chapters, clearly and unfussily written, and taking full account of the newest thinking on Beethoven, align closely with the musical discussion. The result is a deeply perceptive book that comes as close as can be to presenting the man and the music as a unity."—Stanley Sadie, editor, The New Grove Dictionary of Music and Musicians "Impressive for both its scholarship and its fresh insights, this landmark work—fully accessible to the interested amateur—immediately takes its place among the essential references on this composer and his music."—Bob Goldfarb, KUSC-FM 91.5 "Lockwood writes like an angel: lucid, enthusiastic, stirring and enlightening. Beethoven has found his ablest interpreter."—Jonathan Keates, The Spectator  "There is no better survey of Beethoven's compositions for a wide audience."—Michael Kimmelman, The New York Times Book Review

About Lewis Lockwood

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Lewis Lockwood is Fanny Peabody Professor of Music Emeritus at Harvard University. His publications include Beethoven: Studies in the Creative Process. He lives in Brookline, Massachusetts.
Published January 17, 2005 by W. W. Norton & Company. 624 pages
Genres: Biographies & Memoirs, Education & Reference, Humor & Entertainment, Arts & Photography. Non-fiction

Unrated Critic Reviews for Beethoven

The New York Times

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When the English conductor Roger Norrington accepted an invitation to become the first music director of the Orchestra of St. Luke’s in 1990, he came to the post with a revolutionary’s repute.

Feb 22 2010 | Read Full Review of Beethoven: The Music and the ...

The New York Times

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''The First Maturity, 1792-1802,'' ''The Second Maturity, 1802-12,'' and ''The Final Maturity, 1813-27.'' Each begins with a brief account of Beethoven's activities during the period, set in a rich social and political context.

Dec 23 2002 | Read Full Review of Beethoven: The Music and the ...

The Guardian

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Beethoven: The Music and the Life, by Lewis Lockwood, (Norton, £11.99) In June, Radio 3 is going to play nothing but Beethoven's music for a whole week.

Apr 16 2005 | Read Full Review of Beethoven: The Music and the ...

Publishers Weekly

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Although he breaks no new ground, Lockwood (a Harvard professor emeritus in music and a leading Beethoven scholar) does offer an extremely cogent account of the works as they relate to the well-known three phases of Beethoven's remarkable creative life.

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Open Letters Monthly

This book addresses the question asked by so many frustrated freshmen: “what is this for?” Without getting bogged down in specialized details, the conversations with the Juilliard String Quartet illuminate the uses of analysis to inform performance.

Jul 18 2008 | Read Full Review of Beethoven: The Music and the ...

The New York Review of Books

He has published influential articles on the composer, some collected previously in Beethoven: Studies in the Creative Process (1992), but no full-length study until now.

Feb 27 2003 | Read Full Review of Beethoven: The Music and the ...

The New York Review of Books

In Solomon’s view, this process of change “eventually amounted to a sweeping realignment of his understanding of nature, divinity, and human purpose, constituting a sea change in Beethoven’s system of beliefs.” He finds this change recorded primarily in Beethoven’s letters, conversation bo...

Jul 17 2003 | Read Full Review of Beethoven: The Music and the ...

The New York Review of Books

Lewis Lockwood is a leading musical scholar of the postwar generation, and the leading American authority on Beethoven.

Feb 27 2003 | Read Full Review of Beethoven: The Music and the ...

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