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An instant, critically acclaimed New York Times bestseller. In the tradition of Tracy Kidder's Mountains Beyond Mountains and Adrian Nicole LeBlanc's Random Family, Pulitzer Prize-winner Katherine Boo's landmark work of narrative nonfiction about families striving toward a better life in one of the twenty-first century's great global cities: Mumbai, India. As India begins to prosper, the residents of Annawadi, a makeshift settlement near the Mumbai airport,... more
Published: February 19, 2013 by Random House Trade Paperbacks
Genre: History, Political & Social Sciences. Non-fiction. 288 pages
Her research is meticulous and worthy of the most demanding sociologist;
Full Review. . .provides a bracing antidote to the ideological opiates of recent decades — those that made the worldwide proliferation of gray zones appear part of a “great success narrative.”
Full ReviewIt is a book that needs to be passed along to be read and reread by all of us.
Full ReviewBeautiful brings alive an almost unimaginably harsh world through the stories of individuals trying to make their way in a place few of us can imagine.
Full Review. . .a compelling portrait of the lives – and deaths – of the vast majority of modern Indians.
Full ReviewThe best book yet written on India in the throes of a brutal transition.
Full Review. . .an astoundingly honest, nonexploitative piece of journalism, a humane, powerful and insightful book. . .
Full ReviewUltimately. . .this is a inspiring book,
Full Review. . .a restrained and fine writer who has honed her reporting skills to a level that it is easy to forget you are reading nonfiction.
Full ReviewShe is one of those rare, deep-digging journalists who can make truth surpass fiction. . .
Full Review. . .one of the most remarkable elements of the book is the way we are taken inside the daily lives of the slum’s residents,
Full ReviewThe reader yearns for context in a study of this size, yet Boo does not provide this in a coherent way.
Full ReviewThis is one stunning piece of narrative nonfiction. . .
Full Review"if a reader comes away…thinking of them only as pathetic socioeconomic specimens I'll have failed as a writer." She has not failed.
Full Review. . .the minutiae of many jobs, including sorting garbage, is something that even when closely observed and thoughtfully written about, doesn’t at all times make for riveting or insightful reading.
Full ReviewWhen publishers send bound galleys along to reviewers, they slip in acclamatory publicity sheets. . .the one folded into. . ."Behind the Beautiful Forevers". . . while lauding plenty, claims far too little.
Full Review. . .Boo. . .has many ways of illuminating the people she writes about. . .You can feel the richness of her affection in her ironic appreciation of their oddities.
Full ReviewRight now the book is sitting on my shelf making all the other books feel stupid.
Full ReviewThe book is meticulously researched and demonstrates acute insight into the culture and languages of India.
Full Review. . .thanks to her careful, nuanced perception of the complex individuals living in "a single, unexceptional slum," the book doesn't devolve into poverty porn.
Full ReviewRather than fleshing out an argument as to how to solve the problems of Annawadi, she is content to explain the facts. . .
Full Review. . .a great example of the power of what used to be known as immersion journalism. And a cracking read.
Full ReviewThat sort of empathy for the poor is in short supply. . . but without it, we won’t come close to understanding the depth of the poverty problem every globalized nation—including the United States—needs to address.
Full ReviewOne comes away with admiration for these people whose lives she recounts.
Full ReviewBoo succeeds where so many reporters have failed because she has given the people of the undercity the same time and attention they would have received had they been residents of the overcity.
Full Review. . .pure, astonishing reportage with as un-biased a lens as possible. . .
Full Review. . .a vivid account of a self-contained but fragile universe tossed about by the storms of the outside world. . .
Full ReviewA beautifully written, at times funny tale that is even more moving because it's true.
Full Review. . .a deeply humane chronicle of a set of varied minds wearied by instability, and inventing ways through it.
Full ReviewBoo's writing skills are such that she can render even a dirty slum lovely. . .and on a deeper level, extract sublime irony from a seemingly straightforward news story.
Full ReviewBoo, who spent significant time in Annawadi, makes no effort to assist her readers in making judgments.
Full ReviewMs Boo blames “government priorities and market imperatives,” which “create a world so capricious that to help a neighbour is to risk your ability to feed your family.” But this feels thin. Mumbai’s poverty is not new.
Full ReviewExquisite in every detail. . .
Full ReviewBoo’s rigorous inquiry and transcendent prose leave an indelible impression of human beings behind the shibboleths of the New India.
Full ReviewBeautiful Forevers is an extraordinary work of journalism. Gripping, heartbreaking, penetrating and respectful. It will open your eyes.
Full ReviewTranscending its geographical setting, the book also provides a bracing antidote to the ideological opiates of recent decades — those that made the worldwide proliferation of gray zones appear part of a “great success narrative.”
Full ReviewShe writes about so many scavenging kids, boisterously quarrelsome families and corrupt officials that the book is too crowded.
Full ReviewBoo, in letting go of her story, in dwelling with it relatively briefly in her book's 250 pages (in contrast to the years she spent with the slum-dwellers), allows it to resonate with us as a small classic of contemporary writing.
Full Review...Boo writes beautifully and, given her subject, surprisingly wittily. She is also wonderfully observant of human quirks...
Full Review...Behind the Beautiful Forevers is driven by Annawadi’s central and overriding tragedy: The slum dwellers could never rise up as a collective against the Man, because the Man is not a presiding villain....
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