Brecht on Theatre by Bertolt Brecht
The Development of an Aesthetic

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This selection of Bertolt Brecht's critical writing charts the development of his thinking on theatre and aesthetics over four decades. The volume demonstrates how the theories of Epic Theatre and Alienation evolved and contains notes and essays on the staging of The Threepenny Opera, Mahagonny, Mother Courage, Puntila, Galileo, and many others of his plays. Also included is A Short Organum for the Theatre, Brecht's most complete statement of his revolutionary philosophy of the theatre.

About Bertolt Brecht

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Critics have said that Eric Bentley has given a new direction to theatrical history and represents the German avant-garde in drama. Brecht's most ambitious venture in verse drama, Saint Joan of the Stockyards (1933), was written in Germany shortly before Hitler came to power. Brecht left his homeland in 1993. Before he came to the United States in 1941, he was one of the editors of a short-lived anti-Nazi magazine in Moscow (1936--39). In 1949 his play Mother Courage and Her Children, which was a Marxist indictment of the economic motives behind internal aggression, was produced in the United States. Brecht found a large audience as librettist for Kurt Weill's Threepenny Opera, an adaptation of John Gay's Beggar's Opera. Brecht is considered a playwright who saw the stage as a platform for the presentation of a message. His aim was to transform the state from a place of entertainment to a place for instruction and public communication. He called himself an epic realist. In 1947, Brecht was summoned to Washington, D.C., by the on Un-American Activities Committee, before which he testified. He firmly denied that he had ever been a member of the Communist Party. How radical Brecht really was has been the subject of considerable controversy; but, for literary purposes, his politics need only be judged as they contributed to his artistry. In his final years Brecht experimented with his own theater and company-the Berliner Ensemble-which put on his plays under his direction and which continued after his death with the assistance of his wife. Brecht aspired to create political theater, and it is difficult to evaluate his work in purely aesthetic terms. It is likely that the demise of Marxist governments will influence his reputation over the next decade, though the changes are difficult to predict. Brecht died in 1956. Eric Bentley was born in England in 1916 and became an American citizen in 1948. He has earned a reputation as a scholar, teacher, professional theatre critic, performer, and a playwright. Recently, Bentley was honored with the 2006 Village Voice OBIE Awards Lifetime Achievement Award and the 2006 International Association of Theatre Critics Thalia Prize. He is the author of many major texts on drama including "The Playwright as Thinker" (Harvest, 1987), "The Life of the Drama" (Applause, 2000), and "Thinking about the Playwright" (Northwestern, 1987). He is also the author of several collections of plays including "Rallying Cries" (1987), "The Kleist Variations" (2005), and "Monstrous Martyrdoms" (2007), as well as the translator of Pirandello's "Plays "(1998) and the author of "The Pirandello Commentaries" (1986), all available from Northwestern University Press.
Published January 1, 1977 by Hill and Wang. 352 pages
Genres: Humor & Entertainment, Arts & Photography, Literature & Fiction. Non-fiction

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The London Times Literary Supplement editor and author of The Theatre of ertolt Brecht has selected, annotated and translated Brecht's ""notes and theoretical writing"", arranged them chronologically to show the emergence of his personal aesthetic.

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