Byzantium by Michael Angold
The Bridge from Antiquity to the Middle Ages

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Michael Angold's book is a clear, concise and authoritative history of the successor to Roman imperial power: the Byzantine Empire. Byzantium was a Greek polis on the Bosphorus that gained importance in 324 AD when it was re-founded by Constantine the Great and named Constantinople. One of the pre-eminent cities of the Middle Ages, Constantinople played a vital role in the emergence of the medieval order in which Byzantium, western Christendom and Islam became three distinct civilizations.

This book charts precisely the development and characteristics of Byzantine art and society. Angold begins in Constantinople, from which the new empire emerged, and examines the city in relation to the world of the early Middle Ages. He shows how the foundation and subsequent growth of the city altered the equilibrium of the Roman Empire and shifted the center of gravity eastwards; he describes the emergence of political factions and their impact on political life; analyzes the disintegration of the culture of late antiquity; and elucidates the reaction among Muslims and western Europeans to Byzantine iconoclasm.

Angold concludes with an account of the end of imperial Byzantium and its disintegration. His book is an excellent introduction to one of the most important, and least well known, of Europe's civilizations.

About Michael Angold

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Michael Angold studied at Oxford University. Since 1970 he has taught at Edinburgh University where he is currently Professor of Byzantine History. His publications include A Byzantine Government in Exile (1974), The Byzantine Empire 1025 - 1204: A Political History (1984), and Church and Society in Byzantium Under the Comneni, 1081 - 1261 (1995).
Published December 10, 2001 by St. Martin's Press. 192 pages
Genres: History, Travel. Non-fiction

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Beginning in the seventh century, Islam challenged the political and religious unity of the city and the empire, first through military incursions and later through religious controversy, namely their rejection of the veneration of icons.

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