Dixie Lullaby by Mark Kemp

No critic rating

Waiting for minimum critic reviews

See 3 Critic Reviews

unrated

Synopsis

Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live.
Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.
In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater.
Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.
 

About Mark Kemp

See more books from this Author
Mark Kemp has been writing about popular music and culture for two decades. He has served as music editor of Rolling Stone and vice president of music editorial for MTV Networks. In 1997 he received a Grammy nomination for his liner notes to the CD Farewells & Fantasies, a retrospective of music by '60s protest singer Phil Ochs. Kemp lives in Charlotte, North Carolina, where he works as the entertainment editor at The Charlotte Observer.
 
Published November 1, 2007 by Free Press. 320 pages
Genres: History, Arts & Photography. Non-fiction

Unrated Critic Reviews for Dixie Lullaby

Kirkus Reviews

See more reviews from this publication

When cultural suppression transforms into cultural embrace, with music the vehicle, it’s a beautiful thing, and music critic Kemp drives home the impact on Southern music in turning an entire nation's head.

| Read Full Review of Dixie Lullaby

Publishers Weekly

See more reviews from this publication

Part memoir, part music history and part social history, Kemp's book cannot decide quite what it wants to be. On the one hand, Kemp tells the story of his own experience of racism in the South

Jul 05 2004 | Read Full Review of Dixie Lullaby

Publishers Weekly

See more reviews from this publication

Drawing on interviews with several musicians and producers, including Phil Walden, Mac Rebennack (Dr. John), Warren Haynes and Jimmy Johnson, Kemp expertly examines the early years of Southern rock (1968–1973), the evolution of redneck rock (1974–1981) and the reconstruction of Southern rock (198...

| Read Full Review of Dixie Lullaby

Reader Rating for Dixie Lullaby
80%

An aggregated and normalized score based on 9 user ratings from iDreamBooks & iTunes


Rate this book!

Add Review
×