Fela by Michael Veal
The Life And Times Of An African Musical Icon

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Synopsis

Musician, political critic, and hedonist, international superstar Fela Anikulapo-Kuti created a sensation throughout his career. In his own country of Nigeria, he was simultaneously adulated and loathed, often by the same people at the same time. His outspoken political views and advocacy of marijuana smoking and sexual promiscuity offended many, even as his musical brilliance enthralled them. In his creation of afrobeat, he melded African traditions with African-American and Afro-Caribbean influences to revolutionize world music. Although harassed, beaten, and jailed by Nigerian authorities, he continued his outspoken and derisive criticism of political corruption at home and economic exploitation from abroad. A volatile mixture of personal characteristics charisma, musical talent, maverick lifestyle, populist ideology, and persistence in the face of persecution made him a legend throughout Africa and the world. Celebrated during the 1970's as a musical innovator and spokesman for the continent's oppressed masses, he enjoyed worldwide celebrity during the 1980's and was recognized in the 1990's as a major pioneer and elder statesman of African music.
By the time of his death in 1997 from AIDS-related complications, Fela had become something of a Nigerian institution. In Africa, the idea of transnational alliance, once thought to be outmoded, has gained new currency. In African-America, during a period of increasing social conservatism and ethnic polarization, Africa has re-emerged as a symbol of cultural affirmation. At such a historical moment, Fela's music offers a perspective on race, class, and nation on both sides of the Atlantic. As Professor Veal demonstrates, over three decades Fela synthesized a unique musical language while also clearing if only temporarily a space for popular political dissent and a type of counter-cultural expression rarely seen in West Africa. In the midst of political turmoil in Africa, as well as renewal of pro-African cultural nationalism throughout the diaspora, Fela's political music functions as a post-colonial art form that uses cross-cultural exchange to voice a unique and powerful African essentialism. Author note: Michael E. Veal is Assistant Professor of Ethnomusicology at Yale University.
In addition to being thoroughly grounded in the literature on Nigeria, African music, and the world music scene, he played as a guest saxophonist with Fela and his band Egypt 80, and has conducted interviews with Fela himself, and with his colleagues and other Nigerian musicians.
 

About Michael Veal

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Michael E. Veal is Assistant Professor of Ethnomusicology at Yale University. In addition to being thoroughly grounded in the literature on Nigeria, African music, and the world music scene, he played as a guest saxophonist with Fela and his band Egypt 80, and has conducted interviews with Fela himself, and with his colleagues and other Nigerian musicians.
 
Published May 19, 2000 by Temple University Press. 352 pages
Genres: Biographies & Memoirs, History, Political & Social Sciences, Humor & Entertainment, Arts & Photography. Non-fiction

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Publishers Weekly

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Raucous, uninhibited and proud, Fela was one of Africa's most intriguing personalities, for his controversial public persona as much as for his music.

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PopMatters

(Veal’s book, Fela: the Life and Times of an African Musical Icon, will be published by Temple University Press in June.) When the Nigerian government asked Fela to participate in the Second World Black Festival of Arts and Culture (FESTAC) in 1976—Nigeria’s attempt to be at the center of the Afr...

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The Root

Fela Kuti is enjoying a renaissance in the U.S. But until recently, for most Americans Fela Kuti was the greatest musician that you’d never heard of.

Nov 27 2009 | Read Full Review of Fela: The Life And Times Of A...

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