Fishing Day by Andrea Davis Pinkney

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Reenie and her mama love to go fishing down by the river. But the peace of their idyllic fishing spot is often marred by the appearance of Peter Troop and his daddy. Peter is up-jumpy and loud, scaring the fish away. And the Troops harbor some resentment toward them, too. Peter and his daddy are fishing for food; Reenie and Mama fish for fun. The Troops are white; Reenie and Mama are black. And in the Jim Crow South, it is this last difference that is most significant. One day, when the Troops' fishing reel breaks, Reenie overcomes their mutual fear and mistrust to help Peter-an act that holds the promise of friendship and understanding. This is a moving story about two children crossing boundaries of race, class, and gender, and about small acts that make a big difference.

About Andrea Davis Pinkney

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ANDREA DAVIS PINKNEY is the author of many award-winning picture books, including the critically acclaimed" Let It Shine: Stories of Black Women Freedom Fighters", which won a Coretta Scott King Author Honor. She has also collaborated with her husband, illustrator Brian Pinkney, on several books, including Duke Ellington: The Piano Prince and His Orchestra and Sleeping Cutie. The Pinkneys live in Brooklyn, New York. Shane W. Evans is the illustrator of more than thirty picture books for children, including The Way a Door Closes by Hope Anita Smith, a Coretta Scott King/John Steptoe Award winner, and the author and illustrator of Olu's Dream. He has exhibited his art in West Africa and Paris and in Chicago, New York, and other major U.S. cities. He lives in Kansas City, Missouri, where he runs Dream Studio, a community art space.
Published November 1, 2003 by Jump At The Sun. 32 pages
Genres: Sports & Outdoors, Travel, Children's Books, Literature & Fiction. Fiction

Unrated Critic Reviews for Fishing Day

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Reenie and her mom are having fun and great success while fishing in Jim Crow River, while Peter and his father are fishing for food and have nothing to show for it.

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Publishers Weekly

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His compositions emphasize the issues of boundaries: as the Troops approach, large-scale depictions of Reenie and her mother give way to tightly, explicitly framed close-ups that literally box in the characters.

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