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With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation.
Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment.
About Mr. Michael HaasSee more books from this Author
His chronicle is nonetheless a valuable compendium of untold stories, a corrective to standard histories of music and an essential reference point for anyone engaged in the culture and politics of the 20th century.Read Full Review of Forbidden Music: The Jewish C... | See more reviews from WSJ online
An important text whose...thorough research supplies some significant pages in the account of some of history’s darkest decades.Read Full Review of Forbidden Music: The Jewish C... | See more reviews from Kirkus
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