An open-minded and clear-eyed reexamination of the cultural artifacts of Franco's Spain
True, false, or both?
Spain's 1939-75 dictator, Francisco Franco, was a pioneer of water conservation and sustainable energy.
Pedro Almodóvar is only the most recent in a line of great antiestablishment film directors who have worked continuously in Spain since the 1930s.
As early as 1943, former Republicans and Nationalists were collaborating in Spain to promote the visual arts, irrespective of the artists' political views.
Censorship can benefit literature.
Memory is not the same thing as history.
Inside Spain as well as outside, many believe-wrongly-that under Franco's fascist dictatorship, nothing truthful or imaginatively worthwhile could be said or written or shown. In his groundbreaking new book, Franco's Crypt: Spanish Culture and Memory Since 1936, Jeremy Treglown argues that oversimplifications like these of a complicated, ambiguous actuality have contributed to a separate falsehood: that there was and continues to be a national pact to forget the evils for which Franco's side (and, according to this version, his side alone) was responsible.
The myth that truthfulness was impossible inside Franco's Spain may explain why foreign narratives (For Whom the Bell Tolls, Homage to Catalonia) have seemed more credible than Spanish ones. Yet La Guerra de España was, as its Spanish name asserts, Spain's own war, and in recent years the country has begun to make a more public attempt to "reclaim" its modern history of fascism. How it is doing so, and the role played in the process by notions of historical memory, are among the subjects of this wide-ranging and challenging book.
Franco's Crypt reveals that despite state censorship, events of the time were vividly recorded. Treglown looks at what's actually there-monuments, paintings, public works, novels, movies, video games-and considers, in a captivating narrative, the totality of what it shows. The result is a much-needed reexamination of a history we only thought we knew.
About Jeremy TreglownSee more books from this Author
Treglown’s elegant and thoughtful meditation shows us that authoritarian power is neither monolithic nor immune to the soft power of civil society and individual creativity.Read Full Review of Franco's Crypt: Spanish Cultu... | See more reviews from Publishers Weekly
There are, though, some strange tangents and omissions. The book mostly avoids discussing poetry, and Barcelona, a city famous for its vibrant cultural underground, is given only an ancillary role.Read Full Review of Franco's Crypt: Spanish Cultu... | See more reviews from NY Times
...I expected much of a book whose sub‑title promises an analysis of "Spanish culture and memory since 1936". But what the reader gets instead is really a compendium of freestanding reviews, in which Treglown summarises individual films, novels and occasionally art produced in Spain under the dictatorship and since.Read Full Review of Franco's Crypt: Spanish Cultu... | See more reviews from Guardian
The main part of "Franco's Crypt" is devoted to an analysis of the treatment of recent history and of life under Franco in major expressions of Spanish culture since the civil war. Mr. Treglown offers a stimulating new reading of the chief milestones of Spanish culture since 1939. IRead Full Review of Franco's Crypt: Spanish Cultu... | See more reviews from WSJ online
But this book is not without its blemishes. Mr Treglown’s revisionist aims are undermined by his tendency to digress needlessly...the author largely ignores architecture, poetry and drama. That prevents what might have been a valuable discussion about why some art forms flourished under the dictatorship, while others wilted.Read Full Review of Franco's Crypt: Spanish Cultu... | See more reviews from The Economist
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