Gods and Monsters by Peter Biskind
Movers, Shakers, and Other Casualties of the Hollywood Machine

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Peter Biskind authored two of the most talked about and read books of the last decade—Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock-'n'-Roll Generation Saved Hollywood and its bestselling sequel Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. Gods and Monsters chronicles the cause and courses of Hollywood over the last three decades—the super freaks, lowlifes, charlatans and occasional geniuses who have left their bite mark on American culture, as refracted through the trajectory of Peter Biskind's career. The ghosts of McCarthyism and the blacklist haunt Gods and Monsters as do the casualties of the counterculture and the New Hollywood—the story of Sue Menges, the '70s "super-agent" whose career went mysteriously south, is extraordinarily poignant, as is the example of Terence Malick, whose light shone so brightly in the same period but then disappeared until 1997's The Thin Red Line. But at the heart of the book are the likes of Warren Beatty, Oliver Stone, Martin Scorsese, Robert Redford and Quentin Tarantino and uber-producers Don Simpson and Harvey Weinstein and their excess lifestyles, all of whom Biskind portrays in great Dickensian detail, charting how they have had a simultaneously strangulating and liberating effect on the industry.

About Peter Biskind

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Peter Biskind is the author of four previous books, including Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n Roll Generation Saved Hollywood. He is a contributor to Vanity Fair and formerly the executive editor of Premiere magazine. He lives with his family in Columbia County, New York.
Published November 9, 2004 by Nation Books. 352 pages
Genres: Humor & Entertainment. Non-fiction

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Kirkus Reviews

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An impressive appreciation of cinema's highs and lows, but you'll still wish Biskind could simply go back to writing about movies again instead of indulging in all this glossy gossip.

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Kirkus Reviews

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As he slouches into the ’90s and his problematic editorship of Premiere—where, it must be said, for years Biskind fought the good fight for the idea that you could have a smart but popular film magazine—his writing comes to consist more of profiles of filmmakers, both the creatives and the suits,...

Nov 01 2004 | Read Full Review of Gods and Monsters: Movers, Sh...

Publishers Weekly

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Best known for his popular book on 1970's cinema, Easy Riders, Raging Bulls, Biskind has strung together a compendium of his magazine articles, dating from his tenure as editor-in-chief at American Film up to his current post as a contributing editor at Vanity Fair.

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Entertainment Weekly

Originally posted Dec 13, 2004 Published in issue #797 Dec 17, 2004 Order article reprints

Dec 15 2004 | Read Full Review of Gods and Monsters: Movers, Sh...

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Michael Manley 20 Aug 2013

Rated the book as 3 out of 5