Japan's Modern Divide by Judith Keller
The Photographs of Hiroshi Hamaya and Kansuke Yamamoto

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Synopsis

In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto.

Hiroshi Hamaya (1915–1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year’s rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world.

Kansuke Yamamoto (1914–1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, René Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs.

Along with essays by the book’s coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.
 

About Judith Keller

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Judith Keller is senior curator in the Department of Photographs at the J. Paul Getty Museum. She is the author of Jo Ann Callis: Woman Twirling (Getty, 2009); Walker Evans: The Getty Collection (Getty, 1995); and Graciela Iturbide: Juchitán (Getty, 2008). Amanda Maddox is assistant curator in the Department of Photographs at the J. Paul Getty Museum. Kotaro Iizawa is a photography historian, critic, and curator based in Tokyo. Ryuichi Kaneko is a photography historian and guest curator at the Tokyo Metropolitan Museum of Photography. Jonathan M. Reynolds is associate professor of art history at Barnard College.
 
Published April 16, 2013 by J. Paul Getty Museum. 224 pages
Genres: History, Arts & Photography.

Unrated Critic Reviews for Japan's Modern Divide

This curious amalgam of an art book combines visual and critical profiles of two 20th-century Japanese photographers who, although nearly exact contemporaries, differed in style, interest, and identification with global art movements. The bulk of the book—the catalog for a J. Paul Getty Museum ex...

Jun 15 2013 | Read Full Review of Japan's Modern Divide: The Ph...

This curious amalgam of an art book combines visual and critical profiles of two 20th-century Japanese photographers who, although nearly exact contemporaries, differed in style, interest, and identification with global art movements. The bulk of the book—the catalog for a J. Paul Getty Museum ex...

Jun 15 2013 | Read Full Review of Japan's Modern Divide: The Ph...

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