L'Éducation sentimentale by Gustave Flaubert
(French Edition)

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Une édition de référence de L'Éducation sentimentale de Gustave Flaubert, spécialement conçue pour la lecture sur les supports numériques.
— « Adieu, mon ami, mon cher ami ! Je ne vous reverrai jamais ! C'était ma dernière démarche de femme. Mon âme ne vous quittera pas. Que toutes les bénédictions du ciel soient sur vous ! »Et elle le baisa au front, comme une mère.Mais elle parut chercher quelque chose, et lui demanda des ciseaux. Elle défit son peigne ; tous ses cheveux blancs tombèrent. Elle s'en coupa, brutalement, à la racine, une longue mèche.
— « Gardez-les ! Adieu ! »
Quand elle fut sortie, Frédéric ouvrit sa fenêtre, Mme Arnoux, sur le trottoir, fit signe d'avancer à un fiacre qui passait. Elle monta dedans. La voiture disparut.
Et ce fut tout.
(Extrait du Chapitre 6 de la Partie III.)

About Gustave Flaubert

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GUSTAVE FLAUBERT was born in Rouen in 1821, the son of a prominent physician. A solitary child, he was attracted to literature at an early age, and after his recovery from a nervous breakdown suffered while a law student, he turned his total energies to writing. Aside from journeys to the Near East, Greece, Italy, and North Africa, and a stormy liaison with the poetess Louise Colet, his life was dedicated to the practice of his art. The form of his work was marked by intense aesthetic scrupulousness and passionate pursuit of le mot juste; its content alternately reflected scorn for French bourgeois society and a romantic taste for exotic historical subject matter. The success of Madame Bovary (1857) was ensured by government prosecution for “immorality”; Salammbô (1862) and The Sentimental Education (1869) received a cool public reception; not until the publication of Three Tales (1877) was his genius popularly acknowledged. Among fellow writers, however, his reputation was supreme. His circle of friends included Turgenev and the Goncourt brothers, while the young Guy de Maupassant underwent an arduous literary apprenticeship under his direction. Increasing personal isolation and financial insecurity troubled his last years. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pécuchet, left unfinished at his death in 1880.LYDIA DAVIS has been a MacArthur Fellow, National Book Award finalist, and Chevalier of the Order of Arts and Letters. She was awarded the 2003 French-American Foundation Translation Prize for her translation of Marcel Proust's Swann's Way and lives near Albany, New York.JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine's "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.
Published January 1, 2012 by Candide & Cyrano. 505 pages
Genres: Literature & Fiction, History, Travel. Fiction

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