Leonardo Da Vinci by Luke & Keith, Larry Syson
Painter At The Court Of Milan

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Leonardo da Vinci's reputation as an inventor and scientist, and the complexity of his creativity and personality, have sometimes almost overshadowed the importance of his aims and techniques as a painter. This catalogue focuses on a crucial period in the 1480s and 1490s when, as a salaried court artist to Duke Ludovico Sforza in the city-state of Milan, freed from the pressures of making a living in the commercially minded Florentine republic, Leonardo produced some of the most celebrated—and influential—work of his career. The Last Supper, his two versions of The Virgin of the Rocks, and the beautiful portrait of Ludovico's mistress, Cecilia Gallerani (The Lady with an Ermine), were paintings that set a new standard for his Milanese contemporaries. Leonardo's style was magnified, through collaboration and imitation, to become the visual language of the regime, and by the time he returned to Florence in 1500, his status had been utterly transformed. 


About Luke & Keith, Larry Syson

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Luke Syson is curator of metals at the British Museum. He is co-editor of The Image of the Individual: Portraits in the Renaissance and the co-author of Pisanello. Dora Thornton is curator of Renaissance collections in the Department of Medieval and Modern Europe in the British Museum, and theauthor of The Scholar in His Study: Ownership and Experience in Renaissance Italy.
Published January 1, 2011 by n/a.
Genres: History, Arts & Photography.

Unrated Critic Reviews for Leonardo Da Vinci

The New York Review of Books

In April 1483 the Confraternity of the Immaculate Conception in the main Franciscan church in Milan signed a contract with Leonardo and with Ambrogio and his half-brother Evangelista de Predis to paint and guild an elaborate new structure behind their altar, and to supply some pictures for it by ...

Feb 09 2012 | Read Full Review of Leonardo Da Vinci: Painter At...