John Leonard, “the fastest wit in the East” (The New York Times Book Review), is back with the offbeat, wide-ranging style that earned his last book, When the Kissing Had to Stop, a place among the Voice Literary Supplement’s “25 Favorites of 1999.” Now, with an eye to the social and political experience of writers, Leonard adopts a broad definition of exile.
He addresses Robert Putnam’s Bowling Alone, where exile manifests itself in solitary bowling, a reflection of a declining sense of community. He considers Salman Rushdie as rock’n’roll Orpheus, who—after ten years in fatwa-enforced exile—bears a striking resemblance to his continually disappearing characters. And Leonard also explores Primo Levi’s exile of survival, Bruce Chatwin’s self-imposed exile in travel, as well as the work of Saul Bellow, Ralph Ellison, Phillip Roth, Barbara Kingsolver, and Don DeLillo, among others.
As always, Leonard’s writing jumps off the page, engaging the reader in what the Washington Post calls his “laugh-out-loud magic with words.”
About John LeonardSee more books from this Author
A section on “The Politics of Fiction” contains more ambitious pieces, including a pointed contrast between Atlanta novels by Toni Cade Bambara and Tom Wolfe, tightly reasoned tributes to Barbara Kingsolver’s The Poisonwood Bible and the ingeniously engineered novels of Richard Powers, and a long...| Read Full Review of Lonesome Rangers: Homeless Mi...
A CBS and NPR commentator, New York magazine reviewer and literary editor for the Nation, Leonard (This Pen for Hire, etc.) has also worked as editor of the New York Times Book Review.| Read Full Review of Lonesome Rangers: Homeless Mi...