Manet/Velazquez by Gary Tinterow
The French Taste for Spanish Painting (Metropolitan Museum of Art Series)

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Synopsis

In 1804, at the dawn of the French Empire, there were no more than a handful of Spanish paintings in public collections in France. During the course of the 19th century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as Velazquez, El Greco, Zurbaran, Murillo and Goya. At the same time, French writers and artists - among them Delacroix, Gericault, Courbet, Millet, Bonnat, Degas, and, especially, Manet - came to understand, appreciate and even emulate Spanish painting of the Golden Age. This volume features over 150 works by French and Spanish artists, charting the development of this cultural influence and mapping a fascinating shift in the paradigm of painting: from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, it demonstrates how direct contact with Spanish painting fired the imagination of 19th-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art. American artists of the second half of the 19th century often turned to Europe for training and inspiration. Whistler, Cassatt, Eakins, Chase and Sargent all travelled to Spain for firsthand exposure to its artistic heritage and experienced the thrill of discovering Spanish painting. Also included in this volume are works by American artists that reflect the pervasive influence of and taste for Spanish painting.
 

About Gary Tinterow

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Gary Tinterow is a curator at the Metropolitan Museum of Art, New York, specializing in nineteenth-century, modern and contemporary art. Lacambre is Director of the Musee Gustave Moreau in Paris.
 
Published February 1, 2003 by Metropolitan Museum of Art. 592 pages
Genres: History, Arts & Photography. Non-fiction

Unrated Critic Reviews for Manet/Velazquez

London Review of Books

A revealing text for understanding the hold that Spanish painting of the 17th century had over the imagination of art-lovers in Britain and France during the first half of the 19th century is the description of the ancient Scottish seat of the Roman Catholic earls of Glenallan in Walter Scott’s T...

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New York Magazine

The best thing about the Met’s “Manet/Velázquez,” a look at the influence of Spain on French art, is the chance to see such a huge number of great paintings under one roof.

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