A splendid ironic portrayal of literary Paris and of a young writer’s struggles by one of Spain’s most eminent authors.This brilliantly ironic novel about literature and writing, in Vila-Matas’s trademark witty and erudite style, is told in the form of a lecture delivered by a novelist clearly a version of the author himself. The “lecturer” tells of his two-year stint living in Marguerite Duras’s garret during the seventies, spending time with writers, intellectuals, and eccentrics, and trying to make it as a creator of literature: “I went to Paris and was very poor and very unhappy.” Encountering such luminaries as Duras, Roland Barthes, Georges Perec, Sergio Pitol, Samuel Beckett, and Juan Marsé, our narrator embarks on a novel whose text will “kill” its readers and put him on a footing with his beloved Hemingway. (Never Any End to Paris takes its title from a refrain in A Moveable Feast.) What emerges is a fabulous portrait of intellectual life in Paris that, with humor and penetrating insight, investigates the role of literature in our lives.
About Enrique Vila-MatasSee more books from this Author
The playfully ironic narrator, born in Barcelona in1948, comes of age during the mid-1970s, when he lived for two years in Paris trying to write his first novel and imitated the impoverished, supposedly happy, time of his idol, Ernest Hemingway (it's from Hemingway's memoir, A Movable Feast, that...May 16 2011 | Read Full Review of Never Any End to Paris
.May 15 2015 | Read Full Review of Never Any End to Paris
His tools are irony, parody, paradox, and futility, and his goal is to mix fact, fiction, and autobiography in order to depict not reality but truth.Jun 06 2011 | Read Full Review of Never Any End to Paris
Decorated with numerous awards in his native Spain—including the same Premio Rómulo Gallegos that catapulted his friend Roberto Bolaño to international renown—Enrique Vila-Matas has pioneered one of contemporary literature’s most interesting responses to the great Modernist writers.Jun 06 2011 | Read Full Review of Never Any End to Paris
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