Night Beat by Mikal Gilmore
Collected Writings on Rock & Roll Culture and other Disruptions

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Few journalists have staked a territory as definitively and passionately as Mikal Gilmore in his twenty-year career writing about rock and roll. Now, for the first time, this collection gathers his cultural criticism, interviews, reviews, and assorted musings. Beginning with Elvis and the birth of rock and roll, Gilmore traces the seismic changes in America as its youth responded to the postwar economic and political climate. He hears in the lyrics of Bob Dylan and Jim Morrison the voices of unrest and fervor, and charts the rise and fall of punk in brilliant essays on Lou Reed, The Sex Pistols, and The Clash. Mikal Gilmore describes Bruce Springsteen's America and the problem of Michael Jackson. And like no one else, Gilmore listens to the lone voices: Al Green, Marianne Faithfull, Sinead O'Connor, Frank Sinatra.

Four decades of American life are observed through the inimitable lens of rock and roll, and through the provocative and intelligent voice of one of the most committed chroniclers of American music, and its powerful expressions of love, soul, politics, and redemption.

From the Trade Paperback edition.

About Mikal Gilmore

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Mikal Gilmore has covered and criticized rock & roll, its culture, and related issues for many national publications. He was music editor for the L.A. Weekly and the Los Angeles Herald Examiner, and for twenty years has worked on the staff of Rolling Stone, where he has profiled many national figures. His first book, Shot in the Heart, won the Los Angeles Times Book Prize and the National Book Critics Circle Award. He lives and works in Los Angeles, California.From the Trade Paperback edition.
Published January 4, 2000 by Anchor. 496 pages
Genres: Biographies & Memoirs, Arts & Photography, Literature & Fiction, Humor & Entertainment. Non-fiction

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My basement faculties take over completely.'' The basement faculties of Jim Morrison and Megadeth are also carted out, but Gilmore is always primarily interested in what rock musicians reveal about their own and the culture's deeper concerns: He stresses the often contradictory political impulses...

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Publishers Weekly

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Less than revelatory discussions with Bob Dylan and Lou Reed are made fascinating by Gilmore's talent for invoking a mood and describing a scene--one can almost smell the white wine in Dylan's styrofoam cup and see Reed's weathered face in the dim light of a bar at sundown.

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Book Reporter

Gilmore points out that the social problems metal and rap discuss would exist if the music were banned.

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