Order and Disorder by Christopher G. Bennett
Alighiero Boetti by Afghan Women

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Order and Disorder looks at the cross-cultural context and collaborative nature of Aligheiero Boetti's iconic artworks. The original, often large-scale works in his series Mappe (Maps), Tutto (Everything), and "squared word" were created in needle and thread by women in Afghanistan and in Pakistani refugee camps following the Soviet invasion in 1979, under the direction of Boetti (1940-1994).

Photographs of the artworks and of Afghan women embroidering them are accompanied by examples of embroidered garments and textiles made by Afghanistan's diverse peoples. Such items reveal the country's complex demography and illustrate the kinds of embroideries that were widely traded during the years that Boetti visited.

Christopher G. Bennett is the Dean's Postdoctoral Fellow in Contemporary Art at the University of Delaware. Roy Hamilton is senior curator of Asian and Pacific Collections at the Fowler Museum at UCLA. Alma Ruiz is a senior curator at the Museum of Contemporary Art Los Angeles. Photographer Randi Malkin Steinberger collaborated with Alighiero Boetti on two previous books, Accunto Pantheon and Boetti by Afghan People.


About Christopher G. Bennett

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Journalist Christopher Bennettwas in Ljubljana when Slovenia and Croatia declared independence in June 1991 and remained in the former Yugoslavia for the next 14 months. Since 1994, he has lectured in Yugoslav history at the University of London.
Published April 3, 2012 by Fowler Museum at UCLA. 132 pages
Genres: History, Crafts, Hobbies & Home, Arts & Photography.

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From 1971 to 1994, Italian artist Alighiero Boetti designed a large body of textile work, called the arazzi, which was hand-embroidered by Afghan women working first in Kabul, and then in refugee camp

May 28 2012 | Read Full Review of Order and Disorder: Alighiero...

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