What does it mean to be fully present in a human life? How in the face of the carnage of war, the no longer merely threatened destruction of the natural world, the faceless threat of spiritual oversimplification and reactive fear does one retain one's capacity to be both present and responsive? And to what extent does our capacity to be present, to be fully ourselves, depend on our relationship to an other and our understanding of and engagement with otherness itself? With what forces does the sheer act of apprehending make us complicit? What powers lord over us and what do we, as a species, and as souls, lord over?
These are among the questions Jorie Graham, in her most personal and urgent collection to date, undertakes to explore, often from a vantage point geographically, as well as historically, other. Many of the poems take place along the coastline known as Omaha Beach in Normandy, and move between visions of that beach during the Allied invasion of Europe (whose code name was Operation Overlord) and that landscape of beaches, fields, and hedgerows as it is known to the speaker today. In every sense the work meditates on our new world, ghosted by, and threatened by, competing descriptions of the past, the future, and what it means to be, as individuals, and as a people, "free."
About Jorie GrahamSee more books from this Author
Graham shows us both her own abjection - "I need to be curled up this / way, face pressed, knees pulled up tight" ("May 9 '03") - and the processes of prayer:     "If I open my eyes I know what        there will be: nothing.Feb 25 2006 | Read Full Review of Overlord: Poems
The title for Graham's best book in at least a decade introduces several obsessions at once: it's the code name for American plans on D-Day, a sign for the absence—or perhaps presence—of an omnipotent God, and a term for arrogant nations (the U.S. among them) who have forgotten, or never learned,...Jan 24 2005 | Read Full Review of Overlord: Poems
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