Paris by Patrice Higonnet
Capital of the World

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In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. In examining the myths and countermyths of Paris that have been created and re-created over time, Higonnet reveals a magical urban alchemy in which each era absorbs the myths and perceptions of Paris past, adapts them to the cultural imperatives of its own time, and feeds them back into the city, creating a new environment.

Paris was central to the modern world in ways internal and external, genuine and imagined, progressive and decadent. Higonnet explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure.

Insightful, informative, and gracefully written, Paris illuminates the intersection of collective and individual imaginations in a perpetually shifting urban dynamic. In describing his Paris of the real and of the imagination, Higonnet sheds brilliant new light on this endlessly intriguing city.


About Patrice Higonnet

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Patrice Higonnet is Robert Walton Goelet Professor of French History, Harvard University. Arthur Goldhammer received the French-American Translation Prize in 1990 for his translation ofA Critical Dictionary of the French Revolution.
Published October 18, 2002 by Belknap Press. 536 pages
Genres: History, Travel. Non-fiction

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Publishers Weekly

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In 1323, the first book to treat Paris exclusively appeared; the number since then has grown to about 10,000, notes Higonnet, a professor of French history at Harvard who seems to have read them al

Sep 09 2002 | Read Full Review of Paris: Capital of the World

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The "great moments in Parisian painting coincided...with the great moments of Paris as capital of modernity: its genesis (David and the Revolution) and its blossoming (the Impressionists and the Haussmannization of Paris)."

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