Pre-Code Hollywood by Thomas Doherty

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Pre-Code Hollywood explores the fascinating period in American motion picture history from 1930 to 1934 when the commandments of the Production Code Administration were violated with impunity in a series of wildly unconventional films -- a time when censorship was lax and Hollywood made the most of it. Though more unbridled, salacious, subversive, and just plain bizarre than what came afterwards, the films of the period do indeed have the look of Hollywood cinema -- but the moral terrain is so off-kilter that they seem imported from a parallel universe.

In a sense, Doherty avers, the films of pre-Code Hollywood are from another universe. They lay bare what Hollywood under the Production Code attempted to cover up and push offscreen: sexual liaisons unsanctified by the laws of God or man, marriage ridiculed and redefined, ethnic lines crossed and racial barriers ignored, economic injustice exposed and political corruption assumed, vice unpunished and virtue unrewarded -- in sum, pretty much the raw stuff of American culture, unvarnished and unveiled.

No other book has yet sought to interpret the films and film-related meanings of the pre-Code era -- what defined the period, why it ended, and what its relationship was to the country as a whole during the darkest years of the Great Depression... and afterward.

 

About Thomas Doherty

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Richard John Lynn has a Ph.D. in Chinese from Stanford University. Acclaimed as one of the outstanding translators of our time, he has taught at the University of California, Berkeley; Auckland University; and the University of British Columbia. He is currently professor of Chinese thought and literature at the University of Toronto. Lynn has also served as a Humanities Administrator in the Division of Research at the NEH, in charge of the Translators Grants Program.
 
Published August 15, 1999 by Columbia University Press. 400 pages
Genres: History, Political & Social Sciences, Humor & Entertainment. Non-fiction

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Ironically, the death knell came from a Hollywood insider: Alfred Hitchcock, with Psycho (1960), the shocking film that left the Code “walking dead.” Scholarly but at ease with a Hollywood aside or period slang, this book sits in style between Andrew Bergman’s We’re in the Money and Stanley Cavel...

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