Push Comes to Shove by Twyla Tharp
An Autobiography

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The well-known choreographer chronicles her life and career, describing her childhood, her training in music and classical ballet, the influence of the avant-garde climate of New York in the 1960s on her choreography, and more. 30,000 first printing. $30,000 ad/promo.

About Twyla Tharp

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Modern dancer and choreographer Twyla Tharp was born in Portland, Indiana. As a child, Tharp was an accomplished musician, dancer, and athlete. In the early 1960s, she went to New York City to study dance, and she performed with the Paul Taylor Dance Company from 1963 to 1965. Then, in 1965, she formed her own small company, focusing her efforts on choreographing severe modern-dance works. As both a dancer and a choreographer, Tharp is noted for her ability to create dance with a popular appeal without losing integrity or depth. Although her first works were rather somber and highly structured in style, her later works have often captured a more whimsical note. Eight Jelly Rolls (1971), for example, delighted audiences with its dancing set to the jazz piano music of "Jelly Roll" Morton. Other enormously popular works include Coupe (1973), a piece set to music by the Beach Boys, and Push Comes to Shove (1976), which was choreographed for the ballet star Mikhail Baryshnikov. In addition to creating works for her own company, Tharp has created commissioned pieces for a number of other dance companies, for films, and for nondancers in such other entertainment fields as ice-skating and sports. These works include Bach Partita (1984), created for American Ballet Theatre, When We Were Very Young (1980) and The Catherine Wheel (1983), created for Broadway, and dance numbers created for the films Hair (1979) and White Knights (1985).
Published November 1, 1992 by Bantam. 376 pages
Genres: Humor & Entertainment, Arts & Photography. Non-fiction

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Kirkus Reviews

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To Tharp, choreography was a must: ``I knew that until I took on the full responsibility for my art...I was only a tool, not a serious artist.'' Tharp imparts the full flavor of the city's 60's art scene during the time that she gradually developed a troupe of fiercely loyal performers.

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Publishers Weekly

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The wit and drive of Tharp's dances also feed her life story, which she tells here with a cool ebullience.

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Entertainment Weekly

A Originally posted Nov 27, 1992 Published in issue #146 Nov 27, 1992 Order article reprints

Nov 27 1992 | Read Full Review of Push Comes to Shove: An Autob...

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