Shakespeare's Dramatic Transactions by Michael Mooney

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Synopsis

Shakespeare’s Dramatic Transactions uses conventions of performance criticism—staging and theatrical presentation—to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of “mimesis” and “representation,” this book describes how the actor’s stage presentation affects the actor’s representational role and the ways in which viewers experience Shakespearean tragedy.
Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition—the correlation between an actor’s stage location and the speech, action, and stylization associated with that position—to understand the actor/stage location relationship in Shakespeare’s plays. In his examination of the original staging of Shakespeare’s tragedies, Mooney looks at the traditional interplay between a downstage “place” and upstage “location” to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art.
The innovative and insightful approach of Shakespeare’s Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney’s compelling argument enhances our understanding of Shakespeare and the theater.
 

About Michael Mooney

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Michael J. Mooney is a staff writer at D Magazine. He also writes for GQ, Outside, and Grantland. He is a graduate of the Mayborn School of Journalism, and is on the advisory committee of the Mayborn Literary Nonfiction Conference. His stories have appeared in The Best American Crime Reporting and multiple editions of The Best American Sports Writing. He lives in Dallas with his fiancee, Tara, and their retired racing greyhound.
 
Published July 31, 1990 by Duke University Press Books. 243 pages
Genres: Literature & Fiction. Non-fiction
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