Southern Soul-Blues by David G. Whiteis
(Music in American Life)

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...his maddening reluctance to offer album sales or radio-airplay figures only confirms the reader's suspicion that this is an increasingly marginal music that is playing to a graying, shrinking and narrowly circumscribed audience.
-Kirkus

Synopsis

Attracting passionate fans primarily among African American listeners in the South, southern soul draws on such diverse influences as the blues, 1960s-era seep soul, contemporary R & B, neosoul, rap, hip-hop, and gospel. Aggressively danceable, lyrically evocative, and fervidly emotional, southern soul songs often portray unabashedly carnal themes, and audiences delight in the performer-audience interaction and communal solidarity at live performances. Examining the history and development of southern soul from its modern roots in the 1960s and 1970s, David Whiteis highlights some of southern soul's most popular and important entertainers and provides first-hand accounts from the clubs, show lounges, festivals, and other local venues where these performers work. Profiles of veteran artists such as Denise LaSalle, the late J. Blackfoot, Latimore, and Bobby Rush--as well as contemporary artists T. K. Soul, Ms. Jody, Sweet Angel, Willie Clayton, and Sir Charles Jones--touch on issues of faith and sensuality, artistic identity and stereotyping, trickster antics, and future directions of the genre. These revealing discussions, drawing on extensive new interviews, also acknowledge the challenges of striving for mainstream popularity while still retaining the cultural and regional identity of the music and of maintaining artistic ownership and control in the age of digital dissemination.
 

About David G. Whiteis

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David Whiteis is an author, freelance writer, and educator living in Chicago. He is the author of Chicago Blues: Portraits and Stories, and his articles and reviews have appeared in Living Blues, The Chicago Reader, Down Beat, Juke Blues, Jazz Times, and elsewhere.
 
Published March 12, 2013 by University of Illinois Press. 344 pages
Genres: Arts & Photography. Non-fiction
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Kirkus

Above average
on Feb 08 2013

...his maddening reluctance to offer album sales or radio-airplay figures only confirms the reader's suspicion that this is an increasingly marginal music that is playing to a graying, shrinking and narrowly circumscribed audience.

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