Stravinsky Inside Out by Professor Charles M. Joseph

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Popularly known during his lifetime as the world's greatest living composer, Igor Stravinsky (1882-1971) not only wrote some of the twentieth century's most influential music, he also assumed the role of cultural icon. This book reveals Stravinsky's two sides - the public persona, preoccupied with his own image and place in history, and the private composer, whose views and beliefs were often purposely suppressed. Charles M. Joseph draws a richer and more human portrait of Stravinsky than anyone has done before, using an array of unpublished materials and unreleased film trims from the composer's huge archive at the Paul Sacher Institute in Switzerland. Focusing on Stravinsky's place in the culture of the twentieth century, Joseph situates the composer among the giants of his age. He discusses Stravinsky's first American commission, his complicated relationship with his son, his professional relationships with celebrities ranging from T. S. Eliot to Orson Welles, his flirtations with Hollywood and television, and his love-hate attitude toward the critics and the media.
In a close look at Stravinsky's efforts to mould a public image, Joseph explores the complex dance between the composer and his artistic collaborator, Robert Craft, who orchestrated controversial efforts to protect Stravinsky and edit materials about him, both during the composer's lifetime and after his death.

About Professor Charles M. Joseph

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Charles M. Joseph, William R. Kenan Professor of Liberal Arts at Skidmore College.
Published August 11, 2001 by Yale University Press. 352 pages
Genres: Biographies & Memoirs, Humor & Entertainment, Arts & Photography. Non-fiction

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"The ballets they forged together stand as one of the most extraordinary collaborative triumphs of the twentieth century," writes Joseph (Stravinsky Inside Out), a professor of music at Skidmore College, of composer Igor Stravinsky and choreographer George Balanchine.

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Along with other scholars, Joseph (Stravinsky and Balanchine, forthcoming) has undertaken a reevaluation of the life and legacy of Igor Stravinsky (1882–1971).

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