Students for a Democratic Society by Harvey Pekar
A Graphic History

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Synopsis

The History of SDS as You've Never Seen It Before
 
In 1962 at a United Auto Workers' camp in Michigan, Students for a Democratic Society held its historic convention and prepared the famous Port Huron Statement, drafted by Tom Hayden. This statement, criticizing the U.S. government's failure to pursue international peace or address domestic inequality, became the organization's manifesto. Its last convention was held in 1969 in Chicago, where, collapsing under the weight of its notoriety and popularity, it shattered into myriad factions. Through brilliant art and they were-there dialogue, famed graphic novelist Harvey Pekar, gifted artist Gary Dumm, and renowned historian Paul Buhle illustrate the tumultuous decade that first defined and then was defined by the men and women who gathered under the SDS banner. Students for a Democratic Society: A Graphic History captures the idealism and activism that drove a generation of young Americans to believe that even one person's actions can help transform the world.
 

About Harvey Pekar

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Harvey Pekar is best known for his graphic autobiography, American Splendor, on which comic artist Gary Dumm collaborated. Paul Buhle, a senior lecturer at Brown University, was founding editor of the SDS journal Radical America.
 
Published April 27, 2009 by Hill and Wang. 224 pages
Genres: History, Political & Social Sciences, Comics & Graphic Novels, Education & Reference. Fiction

Unrated Critic Reviews for Students for a Democratic Society

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Founded in 1960 as an offshoot of various lefty-labor organizations that traced their lineage back to Upton Sinclair in 1905, SDS quickly alienated more staid elements of the Old Left with its emphasis on personal freedom, solidarity with the civil-rights movement and vehement antiwar stance.

Jan 15 2008 | Read Full Review of Students for a Democratic Soc...

Publishers Weekly

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He constructs a narrative of the history of the Students for a Democratic Society, but frequently steps aside to allow actual participants in that history to tell their own stories, using his casual first-person model of storytelling.

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