Recommended byNY Times
It's the summer of 1979. A fifteen-year-old boy listens to WNEW on the radio in his bedroom in Brooklyn. A monotone voice (it's the singer's) announces into dead air in between songs "The Talking Heads have a new album, it's called Fear of Music"; - and everything spins outward from that one moment.
Jonathan Lethem treats Fear of Music; (the third album by the Talking Heads, and the first produced by Brian Eno) as a masterpiece - edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky and fun. He scratches obsessively at the album's songs, guitars, rhythms, lyrics, packaging, downtown origins, and legacy, showing how Fear of Music hints at the directions (positive and negative) the band would take in the future. Lethem transports us again to the New York City of another time - tackling one of his great adolescent obsessions and illuminating the ways in which we fall in and out of love with works of art.
About Jonathan LethemSee more books from this Author
...be warned: his obsession is contagious. By the end I was right there with him, inside the bunker.Read Full Review of Talking Heads' Fear of Music ... | See more reviews from Guardian
In a truly tender moment in the book, and there are more than a few, Lethem recalls seeing the big ''Stop Making Sense'' version of the band at the Forest Hills tennis stadium in 1982.Read Full Review of Talking Heads' Fear of Music ... | See more reviews from NY Times
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