The Art of History by Christopher Bram
Unlocking the Past in Fiction and Nonfiction

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The author’s argument isn’t as provocative as some of his counterintuitive judgments on highly praised works and authors...Though Bram teaches at NYU, there’s no hint of academic stuffiness in a book that offers the joy of reading as well as praising it.
-Kirkus

Synopsis

One has to look no further than the audiences hungry for the narratives served up by Downton Abbey or Wolf Hall to know that the lure of the past is as seductive as ever. But incorporating historical events and figures into a shapely narrative is no simple task. The acclaimed novelist Christopher Bram examines how writers as disparate as Gabriel García Márquez, David McCullough, Toni Morrison, Leo Tolstoy, and many others have employed history in their work.

Unique among the "Art Of" series, The Art of History engages with both fiction and narrative nonfiction to reveal varied strategies of incorporating and dramatizing historical detail. Bram challenges popular notions about historical narratives as he examines both successful and flawed passages to illustrate how authors from different genres treat subjects that loom large in American history, such as slavery and the Civil War. And he delves deep into the reasons why War and Peace endures as a classic of historical fiction. Bram's keen insight and close reading of a wide array of authors make The Art of History an essential volume for any lover of historical narrative.

 

About Christopher Bram

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Christopher Bram is the author of eight other novels, including "Gods and Monsters" (originally titled "Father of Frankenstein"), which was made into an Academy Award-winning film. Bram was a 2001 Guggenheim Fellow and received the 2003 Bill Whitehead Award for Lifetime Achievement. He lives in New York City.
 
Published July 5, 2016 by Graywolf Press. 184 pages
Genres: Education & Reference, Literature & Fiction. Non-fiction
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Kirkus

Above average
on Apr 13 2016

The author’s argument isn’t as provocative as some of his counterintuitive judgments on highly praised works and authors...Though Bram teaches at NYU, there’s no hint of academic stuffiness in a book that offers the joy of reading as well as praising it.

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