The Best American Movie Writing 2001 by John Landis

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The Best Movie Writing 2001 is dedicated to collecting the best writing about our most influential medium, our most popular, evocative and hotly debated art and mode of storytelling, and includes several new features: introductions of each piece by the guest editor; comments by the contributors on their pieces: and a catalog of America’s most important movie magazines. Discussions are not limited to individual films, actors and directors but range from the racial politics of Gone With the Wind to the protest surrounding the 1999 adaptation of the book American Psycho; from how the MPAA rates independent films, to the battle between proponents of film and the new digital technology. Includes selections from Ian Buruma, Molly Haskell, Michael Herr, John Irving, Lawrence Kasdan, Jack Kerouac, Stuart Klawans, Stanley Kubric, and others.

About John Landis

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James Robert Parrish is the author of 20 books on Hollywood, including biographies of Whoopi Goldberg, Gus Van Sant, Rosie O'Donnell, and Whitney Houston. He lives in Los Angeles.
Published October 16, 2001 by Thunder's Mouth Press. 352 pages
Genres: Education & Reference, Humor & Entertainment, Arts & Photography, Literature & Fiction. Non-fiction

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Straight-up frame-by-frame movie analyses are well represented by Maria Di Battista's keen dissection of His Girl Friday, which applies the concept of time to find new meaning in much-analyzed elements of the film such as its lighting, tracking shots, and the power struggle between Cary Grant’s a...

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Publishers Weekly

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"The next best thing to watching movies is perhaps to read about them," series editor Jason Shinder writes in his preface, and the 27 selections (culled from magazines, newspapers, journals and books) chosen by guest editor and film director Landis (Animal House) are a fine mixture of intelligenc...

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