The Blood Oranges by John Hawkes
A Novel

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"Rich, evocative, highly original piece of fiction. It gilds contemporary American literature with real, not synthetic, gold."—Anthony Burgess

"Need I insist that the only enemy of the mature marriage is monogamy? That anything less than sexual multiplicity . . . is naive? That our sexual selves are merely idylers in a vast wood?" Thus the central theme of John Hawkes's widely acclaimed novel The Blood Oranges is boldly asserted by its narrator, Cyril, the archetypal multisexualist. Likening himself to a white bull on Love's tapestry, he pursues his romantic vision in a primitive Mediterranean landscape. There two couples—Cyril and Fiona, Hugh and Catherine—mingle their loves in an "lllyria" that brings to mind the equally timeless countryside of Shakespeare's Twelfth Night.

Yet no synopsis or comparison can convey the novel's lyric comedy or, indeed, its sinister power—sinister because of the strength of will Cyril exerts over his wife, his mistress, his wife's reluctant lover; lyric, since he is also a “sex-singer" in the land where music is the food of love.

About John Hawkes

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John Hawkes is the author of sixteen books of fiction, including bi>Sweet William, Adventures in the Alaskan Skin Trade, and The Blood Oranges (all available from Penguin). He is Professor of English Emeritus at Brown University and a member of the American Academy of Arts and Letters. He lives in Providence, Rhode Island.
Published April 17, 1972 by New Directions. 284 pages
Genres: Mystery, Thriller & Suspense, Literature & Fiction. Fiction

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It is another one of our murmurous nonsequential afternoons in Ilyria"" — murmurous beneath the cypresses or the fig trees or close to the ""throbbing seaweed."" In Ilyria, pagan, mythic, Mediterranean Ilyria, Cyril, the ""white bull,"" or the ""sex aesthetician"" commemorates his middle-ag...

Sep 15 1971 | Read Full Review of The Blood Oranges: A Novel

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