The Brokeback Book by William R. Handley
From Story to Cultural Phenomenon

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An American Western made by a Taiwanese director and filmed in Canada, Brokeback Mountain was a global cultural phenomenon even before it became the highest grossing gay-themed drama in film history. Few films have inspired as much passion and debate, or produced as many contradictory responses, from online homage to late-night parody. In this wide-ranging and incisive collection, writers, journalists, scholars, and ordinary viewers explore the film and Annie Proulx’s original story as well as their ongoing cultural and political significance. The contributors situate Brokeback Mountain in relation to gay civil rights, the cinematic and literary Western, the Chinese value of forbearance, male melodrama, and urban and rural working lives across generations and genders. The Brokeback Book builds on earlier debates by novelist David Leavitt, critic Daniel Mendelsohn, producer James Schamus, and film reviewer Kenneth Turan with new and noteworthy interpretations of the Brokeback phenomenon, the film, and its legacy. Also appearing in print for the first time is Michael Silverblatt’s interview with Annie Proulx about the story she wrote and the film it became.
 

About William R. Handley

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William R. Handley is an associate professor of English at the University of Southern California. He is the author of Marriage, Violence, and Nation in the American Literary West and the coeditor, with Nathaniel Lewis, of True West: Authenticity and the American West, available in a Bison Books edition. ¯ Contributors: Martin Aguilera, Calvin Bedient, Colin Carman, Alan Dale, Jon Davies, Chris Freeman, Judith Halberstam, William R. Handley, Gregory Hinton, Andrew Holleran, Alex Hunt, David Leavitt, Mun-Hou Lo, Susan McCabe, Daniel Mendelsohn, James Morrison, Vanessa Osborne, Annie Proulx, James Schamus, Michael Silverblatt, Adam Sonstegard, Noah Tsika, Kenneth Turan, Patricia Nell Warren, and David Weiss.
 
Published May 1, 2011 by Bison Books / University of Nebraska Press. 400 pages
Genres: History, Political & Social Sciences, Humor & Entertainment, Gay & Lesbian, Literature & Fiction. Non-fiction

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Readers without a background in gender studies may balk at the more densely academic essays, rife with lit-class lingo like “queering the landscape” and much ado about “paradigms.” For the Brokeback enthusiast, the book offers much to savor, as the pieces are uniformly passionate and chockfull of...

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