The Divine Marquis by Guillaume Apollinaire

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Guillaume Apollinaire (1880-1918), a rebel poet and general catalyst for the Paris avant-garde of his time, is often regarded as the spiritual forefather of Surrealism (it was he who, in fact, coined the term "surrealist" in 1917). In the early 1900s he began work at the Enfer section of the French national library, a forbidden section reserved for "banned" books, usually of a pornographic nature. Here Apollinaire became familiar with the suppressed works of writers such as Restif de la Bretonne, Andre Robert Andrea de Nerciat, and above all, the Marquis de Sade. In 1909 he published L'Oeuvre du Marquis de Sade, his famous monograph on Sade and his works (reprinted under the title "The Divine Marquis" in the 1964 Gallimard anthology Les Diables Amoureux). In this ground-breaking treatise, Apollinaire not only documented Sade's literary output, but also helped to establish the writer's revolutionary profile, calling him the "freest spirit who ever lived" and predicting his immense future influence on 20th century literature and thought. 'The Divine Marquis" is here published in its first-ever English translation, revealing it to be a key work for all those interested in the Marquis de Sade, his writings, and his life, and also of vital interest to those studying Apollinaire and his influence on 20th century literature and literary theory.

About Guillaume Apollinaire

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Guillaume Apollinaire is one of the most widely read and influential of modern French poets. He was born either in Rome, where he was baptized, or in Monaco, where he was educated at the Lycee Saint-Charles. Quintessentially modern, his reputation rests principally on two volumes of poems-Alcools (1913) and Calligrammes (1918), which broke with the traditions of nineteenth-century poetry in both form and content. Apollinaire introduced free verse, eliminated punctuation, and even wrote poems in the form of pictures to express the dynamism of the new twentieth century. Apollinaire wrote novels, short stories, and plays as well as poetry. He wrote The Cubist Painters (1913), which first defined the nature of cubism. In addition, he edited for the Bibliotheque des Curieux erotic books of repute and helped to catalogue the repository of forbidden books in the Bibliotheque Nationale. He became the friend of great cubists, including Picasso and Braque. He died in the Spanish influenza epidemic of 1918.
Published September 11, 2013 by Elektron Ebooks. 59 pages
Genres: Biographies & Memoirs. Non-fiction

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