The New Gilded Age by David Remnick
The New Yorker Looks at the Culture of Affluence

No critic rating

Waiting for minimum critic reviews

See 1 Critic Review



In keeping with its tradition of sending writers out into America to take the pulse of our citizens and civilization, The New Yorker over the past decade has reported on the unprecedented economy and how it has changed the ways in which we live. This new anthology collects the best of these profiles, essays, and articles, which depict, in the magazine's inimitable style, the mega-, meta-, monster-wealth created in this, our new Gilded Age.
        Who are the barons of the new economy? Profiles of Martha Stewart by Joan Didion, Bill Gates by Ken Auletta, and Alan Greenspan by John Cassidy reveal the personal histories of our most influential citizens, people who affect our daily lives even more than we know. Who really understands the Web? Malcolm Gladwell analyzes the economics of e-commerce in "Clicks and Mortar." Profiles of two of the Internet's most respected analysts, George Gilder and Mary Meeker, expose the human factor in hot stocks, declining issues, and the instant fortunes created by an IPO. And in "The Kids in the Conference Room," Nicholas Lemann meets McKinsey & Company's business analysts, the twenty-two-year-olds hired to advise America's CEOs on the future of their business, and the economy.
        And what defines this new age, one that was unimaginable even five years ago? Susan Orlean hangs out with one of New York City's busiest real estate brokers ("I Want This Apartment"). A clicking stampede of Manolo Blahniks can be heard in Michael Specter's "High-Heel Heaven." Tony Horwitz visits the little inn in the little town where moguls graze ("The Inn Crowd"). Meghan Daum flees her maxed-out credit cards. Brendan Gill lunches with Brooke Astor at the Metropolitan Club. And Calvin Trillin, in his masterly "Marisa and Jeff," portrays the young and fresh faces of greed.
        Eras often begin gradually and end abruptly, and the people who live through extraordinary periods of history do so unaware of the unique qualities of their time. The flappers and tycoons of the 1920s thought the bootleg, and the speculation, would flow perpetually—until October 1929. The shoulder pads and the junk bonds of the 1980s came to feel normal—until October 1987. Read as a whole, The New Gilded Age portrays America, here, today, now—an epoch so exuberant and flush and in thrall of risk that forecasts of its conclusion are dismissed as Luddite brays. Yet under The New Yorker's examination, our current day is ex-posed as a special time in history: affluent and aggressive, prosperous and peaceful, wired and wild, and, ultimately, finite.

About David Remnick

See more books from this Author
David Remnick was a reporter for The Washington Post for ten years, including four in Moscow. He joined The New Yorker as a writer in 1992 and has been the magazine's editor since 1998. His last book was King of the World, a biography of Muhammad Ali, which was selected by Time as the top nonfiction book of 1998. Lenin's Tomb: The Last Days of the Soviet Empire won a Pulitzer Prize in 1994.
Published March 1, 2001 by Random House. 476 pages
Genres: Business & Economics, History, Political & Social Sciences, Travel, Education & Reference. Non-fiction

Unrated Critic Reviews for The New Gilded Age

Kirkus Reviews

See more reviews from this publication

Included as well are articles on cultural trends: In “A Sense of Change,” John Updike considers our romantic fascination with coins, and David Brooks, in “Conscientious Consumption,” discusses the new elite’s disdain for old styles of opulent wealth and the displays of riches they judge “acceptab...

| Read Full Review of The New Gilded Age: The New Y...

Rate this book!

Add Review