The Raft by Jim LaMarche

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Inspired by various experiences from his childhood, Jim LaMarche, beloved illustrator of A Story for Bear and The Elves and the Shoemaker, brings this touching story about one boy's unexpected summer as a river rat to life with his bold, picturesque paintings.

Nicky isn't one bit happy about spending the summer with his grandma in the Wisconsin woods; he'd much rather be back in the city. He's not too thrilled about all the chores either—especially fishing. Before long, though, a raft appears in the nearby river, and it changes everything. As Nicky explores, the raft works a subtle magic on the obstinate young boy, opening up the wonders all around him: the animals of river and woods, his grandmother's humor and wisdom, and his own special talent as an artist.

This is a serene story about a summer in the woods, appreciating things—and people—in a whole new light, and discovering one's own talents. School Library Journal proclaimed, "this dazzling picture book is an artistic triumph." A note from the author describes the similarities between LaMarche's and Nicky's life.

Supports the Common Core State Standards


About Jim LaMarche

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Jim LaMarche wrote and illustrated The Raft. He also illustrated Little Oh and The Rainbabies, both by Laura Krauss Melmed. He lives in Santa Cruz, California. In His Own Words... "It's funny how things turn out. I wasn't one of those kids with a clear vision of the future, the ones who know at age five that they will be writers or doctors or artists. I liked to draw, but then, so did most of the kids I knew, and growing up to be an artist never really occurred to me. What I did want to be, in order of preference, was a magician, Davy Crockett, a doctor, a priest (until I found out they couldn't get married), and a downhill ski racer. "But I always loved to make things, and once I got going on a project I loved, I stuck with it. Once, when I was five or six, I cut a thousand cloth feathers out of an old sheet, which I then attempted to glue to my bony little body. I was sure I could have flown off the back porch if I'd just had a better glue. Another time I dug up some smooth blue-gray clay from the field behind our house, then molded it into an entire zoo, dried the animals in the sun, and painted them as realistically as I could. I made a grotto out of cement, a shoe box, and my fossil collection. I made moccasins out of an old deerhide I found in the basement. "I grew up in the little Wisconsin town of Kewaskum, the soul of which was the Milwaukee River. In the summer we rafted on it and swam in it. In the winter we skated on it, sometimes traveling miles upriver. In the spring and fall my dad took us on long canoe trips, silently sneaking up on deer, heron, and fields of a thousand Canada geese. And almost all year long we fished for bullheads and northerns from the dam. "I began college at the University of Wisconsin as a biology major, but somewhere along the line--I'm not sure when or even why--I switched to art, and graduated with a bachelor of science degree in art. I still had no idea of becoming a professional artist, however. In the meantime, I joined VISTA (Volunteers in Service to America) and moved to Bismarck, North Dakota, to work with United Tribes of North Dakota creating school curriculum materials. It was a great job. Because there were only a few of us, I was able to try my hand at a little of everything: writing, graphic design, photography, and illustration. It was then that I slowly realized that it might be possible for me to make a living at art. I moved to California, and in the evenings-after working all day as a carpenter's assistant--I put together a portfolio. "Twenty years later, I'm still here, living in Santa Cruz with my wife, Toni, and our three sons, Mario, Jean-Paul, and Dominic. The Pacific Ocean is only a few blocks away, and the scenery is very different from that of the Midwest, but somehow Kewaskum and the Milwaukee River show up in almost everything I draw. They provided the details of setting for The Rainbabies, Carousel, and Grandmother's Pigeon, and they are the setting for the book I'm working on now, my own story about the magic of a raft. "I feel very lucky to have ended up as an illustrator of children's books. And maybe that isn't so different from my childhood dream of being a magician after all. Starting with a clean sheet of paper and with nothing up my sleeves, I get to create something that was never there before."
Published April 5, 2000 by HarperCollins. 40 pages
Genres: Nature & Wildlife, Sports & Outdoors, Children's Books, Literature & Fiction. Fiction

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