‘A fine, intellectually sparkling and always engaging little book – a welcome addition to any Wagner library’
Hans Vaget, Opera Quarterly
Whilst no one would dispute Wagner’s ranking among the most significant composers in the history of Western music, his works have been more fiercely attacked than those of any other composer. His supposed personal defects have provoked intense hostility which has translated into a mistrust and abhorrence of his music. Tanner’s fascination for the relationship between music, text and plot generates and illuminating discussion of the operas, in which he persuades us to see many of Wagner’s best-know works afresh. His passionate and unconventional analyses are accessible to all lovers of music, be they listeners or performers.
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About Michael TannerSee more books from this Author
Tanner, a Cambridge philosopher and opera critic for the Spectator, offers analyses of the plots of Wagner's operas, the intellectual themes projected by them, and an evaluation of the music that is (for most of us) their justification.May 20 2010 | Read Full Review of Wagner
Edward Said seems to be so unhinged by an appendix in my book, Wagner: Race and Revolution, which supports the banning of public performances of Wagner in Israel that he jumps in his usual illogical way to the assumption that I would favour a universal ban on Wagner.| Read Full Review of Wagner
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