Welcome to the Dreamhouse by Lynn Spigel
Popular Media and Postwar Suburbs (Console-ing Passions)

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In Welcome to the Dreamhouse feminist media studies pioneer Lynn Spigel takes on Barbie collectors, African American media coverage of the early NASA space launches, and television’s changing role in the family home and its links to the broader visual culture of modern art. Exploring postwar U.S. media in the context of the period’s reigning ideals about home and family life, Spigel looks at a range of commercial objects and phenomena, from television and toys to comic books and magazines.
The volume considers not only how the media portrayed suburban family life, but also how both middle-class ideals and a perceived division between private and public worlds helped to shape the visual forms, storytelling practices, and reception of postwar media and consumer culture. Spigel also explores those aspects of suburban culture that media typically render invisible. She looks at the often unspoken assumptions about class, nation, ethnicity, race, and sexual orientation that underscored both media images (like those of 1960s space missions) and social policies of the mass-produced suburb. Issues of memory and nostalgia are central in the final section as Spigel considers how contemporary girls use television reruns as a source for women’s history and then analyzes the current nostalgia for baby boom era family ideals that runs through contemporary images of new household media technologies.
Containing some of Spigel’s well-known essays on television’s cultural history as well as new essays on a range of topics dealing with popular visual culture, Welcome to the Dreamhouse is important reading for students and scholars of media and communications studies, popular culture, American studies, women’s studies, and sociology.

About Lynn Spigel

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DIVLynn Spigel is Professor of Radio, Television, and Film at Northwestern University. She is the author of Make Room for TV: Television and the Family Ideal in Postwar America./div
Published May 11, 2001 by Duke University Press Books. 440 pages
Genres: Political & Social Sciences, Humor & Entertainment. Non-fiction

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While overtly political—in her feminist analysis of Barbie (which is also a critique of feminism's failure regarding corporate sexism), she praises the Barbie Liberation Front, which switched the voice boxes of Barbie and GI Joe dolls to create gender-bending playthings—Spigel never sacrifices nu...

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ForeWord Reviews

Some argued that space travel shifted public attention away from racial tension, while others, like music performers George Clinton and Sun Ra, used the iconography of the space program to create the subversive funkadelics of a new African galactic Diaspora—to be sure, a fascinating public conseq...

Jun 15 2001 | Read Full Review of Welcome to the Dreamhouse: Po...

M/C Anderson

This perspective brings us to the Lynchian "dark side" of the happy, bright, and shiny suburbs of postwar America that Spigel works to expose, ironically embodied by the white male protagonists of countless postwar texts, and reiterated through a general cultural fascination with whiteness, s...

Jul 30 2001 | Read Full Review of Welcome to the Dreamhouse: Po...

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