White by Richard Dyer
Essays on Race and Culture

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Synopsis

White people are not literally or symbolically white; nor are they uniquely virtuous and pure. Racial imagery and racial representation are central to the organisation of the contemporary world but, while there are many studies of images of black and Asian people, whiteness is an invisible racial position. At the level of racial representation, whites are not of a certain race. They are just the human race, a 'colour' against which other ethnicities are always examined.
In White, Richard Dyer looks beyond the apparent unremarkability of whiteness and argues for the importance of analysing images of white people. Dyer traces the representation of whiteness by whites in Western visual culture, focusing on the mass media of photography, advertising, fine art, cinema and television.
Dyer examines the representation of whiteness and the white body in the contexts of Christianity, 'race' and colonialism. In a series of absorbing case studies, he discusses the representations of whiteness in muscle-man action cinema, from Italian 'peplum' movies to the Tarzan and Rambo series; shows the construction of whiteness in photography and cinema in the lighting of white and black faces, and analyses the representation of white women in end-of-empire fictions such as The Jewel in the Crown, and traces the disturbing association of whiteness with death, in vampire narratives and dystopian films such as Blade Runner and the Aliens trilogy.
 

About Richard Dyer

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Richard Dyer is Professor of Film Studies at the University of Warwick. He is the author of"Stars, Heavenly Bodies, Now You See It: Studies in Lesbian and Gay Film, Only Entertainment "and "The Matter of Images".
 
Published October 18, 2013 by Routledge. 285 pages
Genres: History, Political & Social Sciences, Humor & Entertainment, Arts & Photography. Non-fiction

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In this inevitable study of whiteness as metaphor, University of Warwick film professor Dyer (Now You See It) takes an idea from Moby Dick, applies it to visual media (photography, film, television, a

Oct 27 1997 | Read Full Review of White: Essays on Race and Cul...

Publishers Weekly

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After a tedious confessional in which the author identifies himself as a privileged, white, British ""queer"" with a sensitivity to other oppressed people, Dyer uses case studies from Tarzan to The Jewel in the Crown to bleached-out depictions of Christ in order to reach many predictable conclusi...

| Read Full Review of White: Essays on Race and Cul...

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