William Eggleston by William Eggleston
Chromes

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Synopsis

William Eggleston's standing as one of the great masters of color photography is widely acknowledged. But the gradual steps by which he transformed from an unknown into a leading artist are less well known. Steidl has undertaken to trace these steps in an ambitious series of publications. Before Color explored Eggleston's revelatory early black-and-white images, while Chromes selects from more than 5,000 Kodachromes and Ektachromes taken from ten chronologically ordered binders found in a safe in the Eggleston Artistic Trust. This archive had once been used by John Szarkowski, who selected the 48 images printed in the seminal book William Eggleston's Guide, while the rest of the archive has remained almost entirely unpublished. This book presents Eggleston's early Memphis images, his testing of color and compositional strategies, and the development towards the "poetic snapshot." Chromes shows a master in the making.
 

About William Eggleston

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William Eggleston was born in 1937 in Memphis, Tennessee. He took his first black-and-white photographs at age 18 and soon became serious about photography, though he never studied it formally. His first color work was shot in 1964 in color negative film, but in the late 60s he began to use color slides; it was some of those slides that he brought with him to New York in 1967, when he met Diane Arbus, Lee Friedlander, Garry Winogrand, and John Szarkowski. It was Szarkowski who curated Eggleston's landmark 1976 solo exhibition at The Museum of Modern Art, New York--a breakthrough in the perception of color photography as a serious form of fine art. The recipient of the 1998 Hasselblad Award, Eggleston's work was most recently seen in Documenta11 and in a major retrospective at the Fondation Cartier in Paris.
 
Published December 2, 2011 by Steidl. 728 pages
Genres: Arts & Photography.

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Correction: July 20, 2003, Sunday An article last Sunday about a new book of William Eggleston's photographs misidentified a car shown chained to a telephone pole in one photo.

Jul 13 2003 | Read Full Review of William Eggleston: Chromes