With Strings by Charles Bernstein

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Synopsis

A companion to the critically acclaimed My Way, his 1999 montage of essays, conversations, and poems, With Strings catapults Charles Bernstein into the future of American poetry. A compilation of sixty-nine poems in various forms and styles, dating mostly from the 1990s, With Strings is his most buoyant collection to date. With its fractured nursery rhymes, distressed mottoes, runcible riddles, and inscrutable sayings, Bernstein takes us on a poetic trip that swerves from the comic to the political, from the whimsical to the elegiac. The whole presents a densely sounded echo chamber in which a range of themes, moods, and perceptions extend and reverberate.

Charles Bernstein is perhaps best known as one of the founders of the L=A=N=G=U=A=G=E poetry movement of the 1970s. He remains one of America's liveliest advocates and practitioners of radically inventive poetry. The title of his new collection, With Strings, suggests the lush arrangement of a musical work as well as the unacknowledged implications of our everyday agreements. Just as language binds us together with its associated meanings, With Strings bounces against the ties that rend us apart as they fasten us together. From his samplings of everyday life, to his demented yet sonorous iambic beats, Bernstein has once again created a poetry of our time, for our time, and by our time.

 

About Charles Bernstein

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Charles Bernstein is the David Gray Professor of Poetry and Letters at the State University of New York at Buffalo. In addition to My Way: Speeches and Poems, he is the author of two collections of essays, A Poetics and Content's Dream, and more than twenty books of poems, including Islets/Irritations and Republics of Reality: 1975-1995.
 
Published December 1, 2001 by University Of Chicago Press. 139 pages
Genres: Literature & Fiction. Non-fiction

Unrated Critic Reviews for With Strings

Publishers Weekly

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"These statements are based on current expectations and projects about the aesthetic environment and assumptions made by the author and are not guarantees of future performativity," writes

Oct 22 2001 | Read Full Review of With Strings

Boston Review

While her discussion begins with the acrimonious first and last meeting between Stein and Eliot in 1924 (by then Eliot, in Perloff's account, had already turned away from the kind of radical experimentalism of his pre-War years), Perloff's reading of St...

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