“The Wanderers” isn’t a book that one could easily pigeonhole. It is smart and heartfelt and funny and sad, marked with a sophisticated simplicity. The truth is that no matter the genre in which you might place it, there’s only one label that fits it just right. And it’s the only label that matters. Exceptional.
Unfortunately, the latter parts of The Bear and the Nightingale shear away much of what I loved about its beginning and middle...These problems aside, The Bear and the Nightingale is a pleasure to spend time with. A rich and elegant debut...
Regardless the depth of your Star Wars knowledge, this book goes into detail everyone will appreciate. Key characters for the new film are introduced, and their stories are told incredibly well.
Once Chris finds Daniel, the plot plays out along predictable lines that don’t do justice to the intriguing setup. Underdrawn characterizations don’t help.
Her world is intricate and immersive, and her characters feel like home. It's okay that the pace isn't exactly pulse-pounding, although Mountain does have its gripping moments of action, suspense, and shattering revelation.
The premise of the pre-9/11 plot is both compelling and disconcerting, and Child applies his trademark eye for detail to make the whole endeavor surprisingly and thrillingly credible.
Weeks deftly moves the pieces around his chessboard, snapping them with assured feeling onto their new squares in preparation for a climactic confrontation. Readers will need to pay careful attention to catch all the political and social machinations.
Some characters are frustrating with their inability to see the big picture, but in the end, this is significant to real-life growth and change.
The balance between romance and action misses the mark slightly, but ultimately, readers will be glad they strapped on their boots and went along for the ride.
Those already familiar with the series will find solace in learning the fate of the main characters, but readers looking for a light read will be disappointed by this emotionally-wrought, scattered conclusion to the trilogy.
Lirael is a complex character, both bold warrior and lovesick teenager, and the Old Kingdom remains a fascinating fantasy realm.
There's so much in this book. I could talk for ages about how mesmerized I was by the depiction of research and development in wartime; how happy to see same-sex desire represented with loving complexity; how riveted by plot-twists that further complicate the world Liu is building.
What Gidwitz, the author of the Grimm trilogy, accomplishes here is staggering. “The Inquisitor’s Tale” is equal parts swashbuckling epic, medieval morality play, religious polemic and bawdy burlesque, propelling us toward a white-knuckle climax...
As she does so perfectly in every book, Andrews deftly balances witty humor, intense emotion and brilliantly choreographed action scenes.
Shatner is a fine actor with some terrific book credits but his latest effort is somewhat disappointing.
In a text overflowing with letters and emails, Bolton leaves little room for any real suspense or richly developed characters.
Henrietta is pragmatic and bitingly funny, and she more than holds her own in a man’s world. Cluess gamely turns the chosen-one trope upside down in this smashing dark fantasy.
...the action comes across as labored and the quest something of a grind...readers will heave a sigh of relief that the end has finally arrived.
This is a book that is bravely aware of the limitations of its subject matter’s appeal, which is one of the reasons why it is so appealing.
Given the ongoing refugee crisis in Europe and immigration debates in the U.S. and abroad, Sanna’s story is well poised to spark necessary conversations about the costs of war.