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No Time Like the Present by Nadine Gordimer

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Synopsis

A sharply observed new novel about post-apartheid South Africa from the Nobel Prize winnerNadine Gordimer is one of our most telling contemporary writers. With each new work, she attacks—with a clear-eyed fierceness, a lack of sentimentality, and an understanding of the darkest depths of the human soul—her theme: the inextricable link between personal life and political, communal history. Revelation of this, not alone in her homeland South Africa, but the... more

About Nadine Gordimer

Nadine Gordimer is the author of eleven previous novels, as well as collections of stories and essays. She has received many awards, including the Booker Prize and the Nobel Prize in Literature in 1991. She lives in Johannesburg, South Africa.


Published: March 27, 2012 by Macmillan Publishers

Genre: Current Affairs. Fiction. 432 pages

Critic Reviews for No Time Like the Present

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  • All Critics: 16
  • Positive: 9
  • Negative: 7
  • Denver Post | 29 Apr 2012

    The novel seems to have been written in great haste, without correction or revision. Gordimer writes an artless, jargon-ridden, run-on prose, full of political pamphlet language

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    No Time Like the Present
  • Tulsa World | 29 Apr 2012

    It sometimes reads like notes taken in haste. Such complexity will put off many readers, who may struggle to get through this novel.

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    No Time Like the Present
  • Newsday | 24 Apr 2012

    "No Time Like the Present" is Gordimer's best novel since her first, "The Lying Days," written in 1953.

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    No Time Like the Present
  • Chicago Tribune | 25 Apr 2012

    Even the most seasoned students of South African culture might find themselves at sea, so what about the less informed?

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  • The New York Times | 6 Apr 2012

    ...very much worth the trip for the sharp and affecting views of human interaction that the novel invites us to contemplate and explore.

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    No Time Like the Present
  • The Star | 5 May 2012

    No Time Like the Present is written in grammar-flouting stream-of-consciousness prose that is sometimes only comprehensible when you take a run at it.

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    No Time Like the Present
  • Book Reporter | 27 Apr 2012

    NO TIME LIKE THE PRESENT is a reminder of what fiction can be: complex, committed and thoroughly absorbing.

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    No Time Like the Present
  • Business Week | 9 Apr 2012

    At some point I realized that what had been an intelligent pleasure had turned into a slog.

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  • The Independent | 16 Mar 2012

    ...her free-style, high-velocity storytelling delivers a visceral immediacy and intensity that lets us inhabit the minds, and share the views, of her characters with the minimum of novelistic fuss.

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    No Time Like the Present
  • Kirkus Reviews | 5 Mar 2012

    Gordimer writes movingly and piercingly about the struggles after the Struggle.

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  • Pieces Blog | 4 Apr 2012

    ...the way Gordimer tells this story makes the book an important artifact, perhaps even an important literary artifact, but, for me at least, it didn’t make the book an excellent piece of fiction.

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  • NPR | 11 Apr 2012

    No Time Like the Present is not so much a novel about "selling out" as it is about sanely navigating around the pitfalls of normalcy; about remaining committed without fossilizing into a zealot.

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    No Time Like the Present
  • The Globe and Mail | 22 Jun 2012

    Nadine Gordimer continues to write some of the – if not the – most nuanced, attentive and vibrant political novels in English. She forcefully, yet never didactically, reminds...readers of the freedoms and privileges so many of us take for granted.

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  • The New York Times | 6 Apr 2012

    The scenes in which these shifts of allegiance transpire provide a perfect example of what literature can give us that history books cannot.

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  • The Guardian | 23 Mar 2012

    In these scenes, as well as in the visits by the children to their grandfather's lands, the curious dispassion of Gordimer's prose gains power.

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  • Los Angeles Times | 8 Apr 2012

    Artfully done, but can it mask (or compensate for) outbreaks of an abrupt, careless style, a throbbing undercurrent of arrogance evident in her novelistic methodology?

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