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The New Republic by Lionel Shriver

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Synopsis

SEEING IS BELIEVING Commuters, multitaskers, avid readers, and computer users all agree that HarperLuxe is the new format in larger print, set in 14-point typeThe acclaimed author of the National Book Award finalist So Much for That probes the mystery of charisma-what makes certain people so magnetic, and how frustrating it is to feel overshadowed by a life-of-the-party who isn't even there Fat and ostracized as a kid, Edgar Kellogg has always yearned to... more

About Lionel Shriver

Lionel Shriver's novels include the National Book Award finalist So Much for That, New York Times bestseller The Post-Birthday World, and the international... more


Published: March 27, 2012 by Harper Collins

Genre: Action & Adventure. Fiction. 560 pages

Critic Reviews for The New Republic

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  • All Critics: 16
  • Positive: 7
  • Negative: 9
  • National Post | 6 Apr 2012

    For readers pining for Shriver’s voice between more major works, this is a fine treat. For a casual reader, it’s a worthy amusement.

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    The New Republic
  • AV Club | 16 Apr 2012

    Flat, overlong, consistently unfunny, and far less original than the author seems to know, The New Republic is most interesting for an ongoing theme that Shriver barely seems to know what to do with, except obsess over it.

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    The New Republic
  • Time Out New York | 18 Apr 2012

    She has an uncanny knack for getting into the heads of the incestuous group of Western journalists Kellogg falls in with, who can barely comprehend any ambition after their next big scoop.

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    The New Republic
  • Slate | 31 Mar 2012

    here’s a laziness at work in both cases, a kind of shrugging refusal to make something better.

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    The New Republic
  • USA Today | 1 Apr 2012

    But ultimately, The New Republic falls flat.

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    The New Republic
  • Nomad Reader | 27 Mar 2012

    Lionel Shriver's sardonic wit takes center stage in this inventive and funny novel of terrorism, journalism and international life.

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    The New Republic
  • New Zealand Listener | 16 Apr 2012

    There’s not a metaphor left unexplained, a parallel not drawn, coloured in and highlighted, just in case the reader can’t figure them out for themselves.

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    The New Republic
  • Entertainment Weekly | 28 Mar 2012

    She is also sensitive to what can be truly frightening about the big world, even for intrepid media types well armed with professional bravado and sturdy expense accounts.

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    The New Republic
  • Los Angeles Times | 25 Mar 2012

    Yet it is a little bit baggy; it feels very much like a book written in an author's becoming, when she was still operating in the shadows.

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    The New Republic
  • Star Tribune | 17 Mar 2012

    As with any social satire, there's plenty here that's timely; but ultimately what is good about this book is good, regardless of the arbitrary nature of the publishing industry.

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    The New Republic
  • NY Observer | 20 Mar 2012

    Ms. Shriver strives to shake up her readers’ sensibilities regarding both terrorism and human nature by overstepping the bounds of what she is able to convey, and ends up covering a story that is irresistible only to her.

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    The New Republic
  • NPR | 5 Apr 2012

    ...the novel drags in its midsection: It's lacking the essential venom in the blood that courses through a satiric masterpiece like Scoop as well as Shriver's more recent works.

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    The New Republic
  • The New York Times | 26 Mar 2012

    One of the problems is that Ms. Shriver is not the least bit funny...Her willfully breezy depiction of terrorism is something worse.

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    The New Republic
  • The Star | 31 Mar 2012

    It doesn’t sustain itself. I — like the members of the Barba press contingent — found myself wishing Barrington Saddler would show up and liven things up.

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    The New Republic
  • The Guardian | 8 Jun 2012

    It's a shame that this novel falls so flat. Shriver, particularly in the mode of Eva in Kevin, is capable of extraordinarily good writing – but that praise should not appear on the cover of this book.

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    The New Republic
  • Los Angeles Times | 25 Mar 2012

    Shriver is an incisive social satirist with a clear grip on the ironies of our contemporary age.

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    The New Republic

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